Pittsburgh Post-Gazette

The city of Pittsburgh’s a movie star

- Evan D. Peet is a professor of policy analysis at the Pardee RAND Graduate School, and the co-director of the RAND Center for Causal Inference.

You might not know it, but many of the iconic skylines and distinct neighborho­ods of the silver screen are not actually located in New York or California.

In fact, the villain Bane destroyed Heinz field (as it was then), the home of the Pittsburgh Steelers, and squared off with Christian Bale’s Batman on the steps of the Mellon Institute library, in “The Dark Knight Rises.” Denzel Washington and Viola Davis receive best actor and best supporting actress Oscar nomination­s after walking the streets of Pittsburgh’s Hill District in “Fences.”

Tom Cruise’s Jack Reacher investigat­ed a fictional shooting that occurred on the North Shore Trail of the Allegheny River in Pittsburgh. And the Fort Pitt tunnels starred along Emma Watson in the coming-of-age drama, “The Perks of Being a Wallflower.”

Pittsburgh’s attraction

The film industry of Pittsburgh also stars in a recently published RAND Corporatio­n report. It examined how the film industry determines the locations it will use and what that industry contribute­s to Pittsburgh’s economy.

In fact, the report’s lead author was once a part (a very small part) of the Pittsburgh film industry workforce. He worked as an extra in “A Beautiful Day in the Neighborho­od,” the biopic about the region’s beloved children’s television star, Fred Rogers.

Through interviews with state, local, and national representa­tives of the film industry, the report documents three factors that attract film production­s to Pittsburgh: creative fit, local resources, and cost.

Creative fit: Pittsburgh has a diverse natural and built environmen­t that enables it to be both Gotham and mid-America. Local resources: These include Pittsburgh’s skilled crew, and the ongoing developmen­t of the sound stage at the historic Carrie Blast Furnaces site in Rankin, which represents a major advance in the local production infrastruc­ture.

And cost: As Jerry Maguire knows well, “show me the money” isn’t just a saying — cost is a major factor in the film location decision. While Pittsburgh scores well with lower labor and housing costs than major cities like Los Angeles and New York, the biggest local driver of a film’s production costs is the tax credits offered by states.

The state’s program

Pennsylvan­ia’s tax credit program for film production­s is vital to the film industry in Pittsburgh and in the state overall. Tax credits like those offered to film production­s are a common use of a state’s economic developmen­t funds. The credits reduce the film production’s state tax liability. If the credits exceed the production’s tax liability, they can be refunded for cash or transferre­d or sold to other entities which owe state taxes.

Currently, 38 states offer film production tax credits, including neighborin­g states West Virginia, New York and Maryland.

The tax credits work to attract production­s because film is … cue Kevin Bacon … a “footloose” industry. The industry isn’t tied to a place. Because of this, film and other “footloose” industries like

high tech are the targets of state incentives.

Film industry jobs generally offer higher-than-average wages and include opportunit­ies across all levels of education and training. They’re available in Pittsburgh because of the tax credits, without them the production­s and jobs would simply move to another state that offers credits.

But the RAND report shows that the film tax credits don’t just create film industry jobs. Each dollar spent on film production in the area creates an additional $0.80 worth of production in other industries and each film job creates another 1.53 jobs in other industries.

This is because film production­s spend money on housing for team members, machinery and materials for set design, and more. And in addition to providing jobs for local camera operators, they enhance the demand for other jobs in publishing, advertisin­g, and other industries.

A new strategy

State lawmakers and other stakeholde­rs should consider updates to the film tax credit law and economic developmen­t strategy to improve the state’s competitiv­eness, enhance the stability of the industry, and fill gaps in the current workforce. Potential updates include developing standardiz­ed measures of projected economic impact and using them to allocate tax credits; building targeted bonuses for longer-term projects into the tax credit policy to enhance sustainabi­lity; and investing in workforce pipelines to fill current gaps (e.g., film and video editing).

If successful, future blockbuste­rs will feature Pittsburgh’s iconic skyline and, more importantl­y, many high paying jobs available to workers of diverse education and training background­s will be created and supported in the region.

 ?? Darrell Sapp/Post-Gazette ?? Catwoman zooms out of the Mellon Institute in Oakland during the 2011 shooting of the movie “Dark Knight Rises.”
Darrell Sapp/Post-Gazette Catwoman zooms out of the Mellon Institute in Oakland during the 2011 shooting of the movie “Dark Knight Rises.”

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