Press-Telegram (Long Beach)

`Avatar' sequel stays afloat in No. 1 position

- By Andrew Dalton

“Avatar: The Way of Water” sailed to the top of the box office in its second weekend, bringing in a strong $58 million in North America that suggests it may stay at the top into the new year and approach the massive expectatio­ns that met its release.

James Cameron's digital extravagan­za for 20th Century Studios has made $253.7 million domestical­ly in its first 10 days of release, compared to $212.7 million in the same stretch for 2009's first “Avatar,” which would go on to become the highest-grossing film of all time.

While Cameron's films like the “Avatar” original and “Titanic” tend to have serious legs at the box office, sequels tend to open big and decline quickly, complicati­ng guesses on where the film will end up. Its second-weekend drop-off from the $134 million it made in its first was not precipitou­s, given the way blockbuste­rs open.

“This is James Cameron's first $100 million opener,” said Paul Dergarabed­ian, senior media analyst for Comscore “For this movie to have opened that big and only dropped 58%, it shows it has staying power.”

Globally, “The Way of Water” is already the third highestgro­ssing film released in 2022, bringing in $855 million — putting it behind only “Top Gun: Maverick” and “Jurassic World Dominion” — and is a lock to surpass $1 billion.

It's also clear sailing for the film looking ahead, with more holiday time coming and no comparable competitio­n until February, when Marvel's “Ant-Man and the Wasp: Quantumani­a” is released.

Storms across the U.S. could keep people home, however.

“The biggest foe that Avatar is facing at this moment is the weather,” Dergarabed­ian said.

Universal's animated Shrek spinoff, “Puss in Boots: The Last Wish,” featuring the voices of Antonio Banderas and Salma

Hayek, finished a distant second with $11.35 million in its opening weekend.

Sony's biopic “Whitney Houston: I Wanna Dance With Somebody” finished third with $5.3 million.

The weekend's biggest disappoint­ment was “Babylon,” the epic of early Hollywood from “La La Land” director Damian Chazelle starring Brad Pitt and and Margo Robbie. In a nationwide release it brought in just $3.5 million, finishing fourth.

The tepid, $6.5 million opening weekend in October of director David O. Russell's “Amsterdam,” another film, set in a similar period, that combined prestige, scope, star power and a celebrated auteur, brought industry worries that audiences just weren't flocking to theaters for such films.

The concerns proved justified, as “Babylon” barely made more than half of the opening of “Amsterdam.”

The coming weeks in theaters, streaming showings and any nomination­s it may get could help “Babylon” rise above bomb status.

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