It's a quieter weekend with no film debuts
The North American box office had one of its slowest weekends of the year, due in large part to “Dune: Part Two's” absence from the lineup.
Moviegoers had many other options to choose from. The video game adaptation “Five Nights at Freddy's” repeated its first-place ranking, followed by “Taylor Swift: The Eras Tour” still going strong. Sofia Coppola's “Priscilla” expanded nationwide and “Oppenheimer” returned to IMAX screens. Several well-received indies opened as well.
But this was the weekend that Warner Bros. and Legendary's “Dune: Part Two” was supposed to open, before the SAG-AFTRA strike prompted many studios to shuffle release dates in anticipation of a lengthy dispute that has stopped movie stars from promoting their films. The “Dune” sequel starring Timothée Chalamet and Zendaya was pushed to March 2024, and no major blockbusters moved in to take its spot Friday.
Even with “Taylor Swift: The Eras Tour” still bringing Swifties to the multiplex, and prestige offerings including Martin Scorsese's “Killers of the Flower Moon” and Alexander Payne's “The Holdovers,” overall ticket sales are likely to be around $64 million for the weekend, making it one of the slowest of the year.
“It's hard to reverse engineer, but `Dune 2' would have certainly been the No. 1 movie and it would have been a bigger overall weekend,” said Paul Dergarabedian, the senior media analyst for Comscore. “The strikes have had a profound impact on this marketplace. But this left a lot of opportunity for films like `Priscilla,' `The Holdovers' and `Radical' to get more of a spotlight.”
In its second weekend, “Five Nights at Freddy's” picked up an additional $19.4 million to take first place, according to studio estimates Sunday. It's a hefty 76% drop from its first weekend. That's not unexpected given that the movie is also streaming on Peacock and that viewership for films targeting intense and niche fandoms are often wildly frontloaded. But taking in $217 million globally against a reported $20 million production budget makes it a hit for Universal Pictures and Blumhouse.
“Taylor Swift: The Eras Tour” took second place, with fourth weekend earnings at an estimated $13.5 million for the AMC release. Playing only on Thursdays through Sundays, the film has made an astonishing $231.1 million globally to date.
In third place, “Killers of the Flower Moon” was down only 25% in its third weekend, with $7 million from 3,786 screens, which brings its domestic total to $52.3 million.
After a healthy opening in New York and Los Angeles last weekend, “Priscilla,” based on Priscilla Presley's 1985 memoir “Elvis and Me,” expanded to 1,359 screens where it earned $5.1 million over the weekend to take fourth place.