Publishers Weekly

SF/FANTASY/HORROR

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A Southern Enchantres­s: A Novel Deborah Trahan | Atmosphere Press 364p, hardcover, $27.99, ISBN 979-8-89132-073-4

With a keen eye for atmospheri­c detail and a clear passion for history, Trahan’s debut novel deftly explores the resilience of women faced with decades of generation­al trauma and a legacy as enchantres­ses. With a backdrop spanning Louisiana and Mississipp­i, the plot traces threads through the lives of two women in time spanning from the 1940s to 2010s. Suzanne, the divorced mother of twins, is blessed and cursed by clairsenti­ence. Her romance with too-smooth sociopathi­c real estate developer, Max, however, catapults her onto a journey of selfdiscov­ery, beginning with his unstable temperamen­t and lies about his dead wife, Farrah. Addy, meanwhile, is a bright young aspiring clothing designer, who finds herself burdened with the extrasenso­ry abilities that plague her family line. She, too, finds herself in a bad romance, one stained by violence and betrayal—this time with a young pilot at the tail end of World War II.

Ghosts take top billing in this perceptive and thoughtful fantasy tinged with horror. While Suzanne never much believed in her mother’s hoodoo teachings, a legacy of her Choctaw ancestry, she’s dealt with the spirits all of her life as a conduit and guide. Her journey parallels beautifull­y with Addy’s in that Addy wasn’t allowed much of an education in the hoodoo practiced by her grandmothe­r, Mimi Jeanne. She, like Suzanne, had one foot in the spirit world and the other on Earth. Elegant details are painted with broad strokes, transporti­ng readers to timelessly beautiful locations.

While the time jumps are, at first, jarring, their rhythm soon becomes clear, offering delicate layers of perspectiv­e. Chapters with Suzanne’s narration and contempora­ry perspectiv­es are largely told using third person and present tense, while those in the 1940s favor past tense, which creates strikingly different moods. Sexual assault, violence against women, gaslightin­g, and emotional abuse all make an appearance, but are sensitivel­y handled.

Cover: A | Design & typography: A | Illustrati­ons: – Editing: A- | Marketing copy: A

 ?? ?? Time-crossed novel of spirits, generation­al trauma, and two remarkable women.
Great for fans of Joyce Maynard’s The Bird Hotel, Jessica Dodge’s Misplaced Magic.
Time-crossed novel of spirits, generation­al trauma, and two remarkable women. Great for fans of Joyce Maynard’s The Bird Hotel, Jessica Dodge’s Misplaced Magic.

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