Robb Report (USA)

The Spirits Detective

MEET EDGAR HARDEN, THE WORLD’S PREMIER DEALER OF RARE VINTAGE WHISKY, GIN, AND LIQUEUR. WHO SAID WINE CELLARS ARE ONLY FOR WINE?

- Meet the Indiana Jones of obscure spirits. BY MARK ELLWOOD PHOTOGRAPH­Y BY LAUREN JOY FLEISHMAN

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Just over a decade ago, standing in the dimly lit cellar of a posh London townhouse, Edgar Harden made a snap decision that would change his life. A seasoned wine dealer, Harden had been summoned to partially liquidate the contents of a client’s cellar, including some ultrarare 1982 Château Mouton Rothschild. Offhandedl­y, the client mentioned that there might be some 1960s gin—think MadMen– era—lying around. “Get rid of it,” the collector sniffed. “Take it to the skip.” But Harden didn’t toss the crate of Gordon’s he uncovered; curiosity piqued, he took it home and made a martini. Harden was floored by the flavor: softer than a bottle from the shelf, with a strong forward note of citrus.

Since mixing that first vintage martini in his kitchen, Harden’s home has been overrun with dusty vintage bottles, mostly stored in cardboard crates in his basement; he guesstimat­es he currently keeps 3,000 or so on hand. That’s because his one retro cocktail transforme­d Harden into a martini-swilling answer to Indiana Jones, tracking down alcohol rather than artifacts. He now supplies elite bartenders and collectors with everything from mid-century Drambuie to obscure artichoke-flavored amaro Carciofi or atomic-era Jim Beam.

Now 48, Harden was born in Vancouver and studied art history before stints on staff at the Getty museum in Los Angeles and the Louvre. He then moved into the commercial sector, using his expertise in French decorative arts as a specialist at Christie’s. Because his office there was close to the wine department, he often found himself dragooned into joining tasting sessions and slowly developed additional know-how that broadened his profession­al connoisseu­rship. When Harden moved to London in 2008 after marrying his wife, a British academic, he had no idea he was walking straight into a gold mine of vintage booze—and a new career that would draw on both his refined taste and his enviable ability to distinguis­h between a rare discovery and flea-market standard fare.

Wealthy Brits have a long tradition of cellaring wine, and with the Downton Abbey- esque influx of nouveaux riches Americans in the early 20th century, cocktailin­g became de rigueur and liquor was added to the stock downstairs. But by the late 1960s, diminishin­g fortunes had led to the demise of private cellar masters and dining out had supplanted lavish dinner parties, leaving ample stocks of gin, rum, rye, and cordials to languish. It’s those treasure troves that Harden now hunts down, with a focus on bottles more than 30 years of age. And the hunting is good: A single estate can yield thousands of musty but untouched lots. He stores his most important finds at home but rents a barn outside the city for his overflow. At any one time, he keeps around 6,000 bottles in his inventory.

The lure of Harden’s hoard transcends novelty. As classic cocktails came roaring back at the turn of the millennium via the craft-cocktail movement, kickstarte­d by the likes of the late Sasha Petraske at New York’s Milk & Honey bar, they created a thirst for original ingredient­s—and a market for forgotten, old bottles. Harden was one of the first to leverage this new craving, but he isn’t alone. Other firms offering similar services for sourcing old bottles include the Netherland­s-based Old Liquor Company and Soutirage in Yountville, Calif., which has broadened its initial wine services to spirits. Harden, though, is inarguably the most respected and connected vintage liquor broker in the world.

He is also an insightful guide to this unexpected market. Don’t assume, he warns, that a martini mixed with vintage liquor will taste the way it did when Kennedy was in the White Hosue. Liquor, like wine, evolves in the bottle. The botanicals in gin, for instance, mature at different rates, with the flavor of juniper falling away and the citrus becoming more prominent, as Harden discovered with his epiphany martini. Rum, often bottled at 120 proof, becomes lighter and subtler with age. “Drink the old ones,” he explains, “and you can taste the sunshine.”

Reformulat­ed recipes are another reason cocktail purists flock to Harden’s aptly named Old Spirits Company. A 40-yearold bottle of Southern Comfort, Harden says, is a far cry from the cloying treacle now stocked by college bars. “The older stuff has Irish whiskey in it,” Harden says, passing me a bottle from the 1970s. “And it isn’t artificial­ly colored.” Harden says manufactur­er Brown-Forman tweaked its formulatio­n in the ensuing years to appeal to female drinkers, resulting in what he dismisses as “that sickly red, hen-night shooter.” (New Orleans–based Sazerac Company bought the brand in 2016 and reformulat­ed it yet again; a spokespers­on says it has readjusted the recipe to include whiskey once more, “to ensure it was kept as close to the original recipe as possible.”)

Other brands deny they’ve tampered with the formulas or insist that any small adjustment­s have not altered the taste. Take Drambuie. Harden says that a bottle of the Scottish liqueur from the 1950s will have a more pronounced peaty or smoky whisky flavor due to the higher-quality malts used in it. In newer Drambuie, Harden suspects that cheaper whiskies might have been used in lieu of the original malts. To an amateur palate, the older version certainly tastes smoother, but is that a result of in-bottle aging or ingredient-tampering? Current Drambuie master blender Brian Kinsman insists that the recipe used now is the same one first documented in 1914, with a base of blended Scotch whisky. He does acknowledg­e that the sugar supplier changed at one point, because the liqueur was prone to developing sugar crystals once opened. The new sugar supply, Kinsman says, “is sweeter, but there was a lot of work done to ensure the final product retained the original level of sweetness.”

Harden’s clients are primarily fine cocktail bars around the world, which increasing­ly offer premium-priced vintage versions of Manhattans, martinis, and such, using old liquors, often listed on stand-alone request-only menus. Stateside, San Francisco’s Smugglers Cove is a regular buyer of old rums, which owner Martin Cate adds to his 400-strong stock in an area of the bar he calls The Vault. The Aviary in New York and Seattle’s Canon are among his other customers. Harden works on a project basis with private clients, too—the most popular request is a 40-year-old bottle to gift for 40th birthdays. He also helps individual­s keen to build their own throwback cellars, like a recent buyer who tasked him with a top-secret mission. For her 25th wedding anniversar­y, she wanted him to curate a dozen-strong cabinet for her husband, with bottles of gin, whisky, and the like dating back to the era of their marriage.

“IDIDN’TBUY[THEWHITE

CHARTREUSE]BECAUSEI DIDN’T HAVE A SPARE 20,000

EUROSATTHE­TIME.”

Today, in addition to plumbing those aristocrat­ic English cellars, Harden regularly flies around the world looking for stock, often in surprising places. Take one trip to LA, where he found an unusual vintage haul: fittingly, given his first find, he snapped up the 200 or so bottles of booze used on the MadMen set. Alongside era-appropriat­e Canadian Club was barely post–Cuban Revolution Bacardi. A few bottles from this collection were sampled at a MadMen– themed event at the Players Club in New York’s Gramercy Park, but Harden has squirreled most of what remains into storage. He’s mulling how and when to sell this cache—singly or as a whole, now or later. “I have the bottles tucked away like the series box set,” he laughs, saying he’ll hold on to them until the show receives a Murphy Brown or Will & Grace– style revival. “In another 15 years, they’ll be worth wild money.”

Most of the liquor he deals today is much more affordable than its wine-world counterpar­ts: He estimates the majority of bottles he sells are priced from £150 to £250 (about $190 to $320). And Harden gauges that 90 percent of his sales are bought to drink and enjoy, ending up in cocktails or shot glasses—and not back in the cellar. There are big-ticket exceptions, like the 1811 Sazerac he flew to Denmark to snatch up, and later sold for £12,000 (then about $18,000); it’s especially prized because it forms the basis of the Sazerac, which is widely considered the first-ever cocktail and was first recorded not long after the bottle was filled.

He’s now well-known enough among liquor enthusiast­s and craft-cocktail bar owners that they will place standing orders, requesting that he notify them first should he encounter a certain rare bottle. There are two that he considers hard-liquor holy grails. The first is white chartreuse, which was produced by Carthusian monks in France during two brief periods in the 19th century, essentiall­y as an experiment, and is the rarest of the various chartreuse varietals. Harden wistfully recalls the only two bottles he has ever seen. “I didn’t buy them because I didn’t have a spare 20,000 euros at the time,” he laments. “But I’m sure some will come out of the woodwork soon.”

The other pinch-me find is Kina Lillet. This French aperitif has added popculture power because it’s used in James Bond’s original Vesper Martini. Made from Bordeaux grape varieties, its recipe was reformulat­ed in 1986; the original is so rare that it’s become a kind of Bigfoot in the bartending world. Harden recalls encounteri­ng a few such precious bottles on a cellar visit to Avignon. “It was spine-tinglingly beautiful to see them, sitting in a dank and dusty coating alongside bottles of Châteauneu­f-du-Pape, set with a thick coating of time.” He sold them for £1,500 each (around $1,900) to Ian Hart and Hilary Whitney of London-based Sacred Spirits, who are aiming to use modern science to deduce the exact recipe, then replicate it to make the liqueur readily available for modern drinks in what would reportedly be an industry first.

Demand for two other liquors has surged thanks solely to the newfound ubiquity of one cocktail: the negroni. Harden has seen the prices of vintage gin and Campari skyrocket. Harden unearthed one bottle of Tuscan juniper– flavored Florentine gin by Doney & Nipote that dated back to the ’30s, shortly after the cocktail was invented in that city in 1919. The idea that the gin was from the same period as the bottle that made the original negroni was enough to entice Singapore-based Atlas Bar to pay £500 (around $640) for the privilege of pouring it at the establishm­ent’s opening in March 2017. Vintage Campari is often even more expensive, largely due to its scarcity; it was long considered an unremarkab­le amaro that cafés poured unthinking­ly from bulky, liter-sized bottles and rarely cellared. When he has sourced an occasional bottle, Harden has marveled at the change in taste. “The alcohol content has dropped, but the herbal complexity and richness have increased,” he says. “The older versions are sublime.”

Right now he has a project of a more personal nature under way, focusing on any liquor he finds that dates back to 1970. “I want those,” he says with a small smile, “for my upcoming 50th birthday party.”

“IT WAS SPINE-TINGLINGLY

BEAUTIFULT­OSEETHEM, SITTINGINA­DANKANDDUS­TY

COATING.”

 ??  ?? Edgar Harden hunts down cellared bottles more than 30 years old, like the Grand Marnier, above right, from the coronation of Elizabeth II.
Edgar Harden hunts down cellared bottles more than 30 years old, like the Grand Marnier, above right, from the coronation of Elizabeth II.
 ??  ?? Absolut Vodka with a label printed using a hand-engraved plate from long before the distiller’s 1980s rebranding.
Absolut Vodka with a label printed using a hand-engraved plate from long before the distiller’s 1980s rebranding.
 ??  ?? Top left: Forbidden Fruit Liqueur in the bottle style that would later be used for Chambord. Top right: Harden’s 3,000 bottles of booze on the walls of his basement.
Top left: Forbidden Fruit Liqueur in the bottle style that would later be used for Chambord. Top right: Harden’s 3,000 bottles of booze on the walls of his basement.
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