Robb Report (USA)

THE SECRET OF THE SOUK

An Italian’s dream of a little riad in Marrakech grows into an idiosyncra­tic artist-designed palace.

- Mark Ellwood Jean Cazals BY PHOTOGRAPH­Y BY

The souk in Marrakech is full of secrets. It’s a warren of dusty, rustred walls, mostly six feet high or more, concealing the courtyards and buildings within from the prying eyes of anyone wandering down the narrow lanes. Restaurant­s, shops and cafes appear, almost conjured, from nowhere. A small sign might be the only evidence from the street, but duck through the door, and there’s a wonderland within. Nothing, though, suggests the presence of a vast complex hidden at the medina’s heart, in the neighborho­od of Dar El Bacha: a riad that is one of the largest private homes in the city, other than the king’s palaces. It’s fitting, then, that the owner named his estate the Secret.

The nine-bedroom, 14-bathroom mansion has been a passion project for the owner, an Italian businessma­n who has lived across the world during his long career but now considers Marrakech home and resides full-time inthe 23,680-square-foot riad, with its 17,000 square feet of terraces and gardens. The idea behind the sprawling property was simple: He wanted to create a haven for his family and a true feeling of permanence for the first time. He has particular­ly prized the estate throughout the pandemic, when it’s been an oasis he’s rarely left.

It was the late 1990s when the owner, then newly remarried and a little restless, first mooted the move. He was living with hiswife,fromwhom he is nowdivorce­d, inLosAngel­esand was far from content with the SoCal lifestyle. Why not decamp to Marrakech, a place he’d loved for more than a decade? He had first visited the Moroccan city in the early 1980s and returned frequently. It was only as his real-estate venture evolved that he gradually realized he could actually make it his primary base.

The first challenge was finding an ideal site, so he tasked a local friend with hunting for a good property. That ch um quickly showed him alittle house, a2,150-square-foot riad, that classic of Moroccan architectu­re, a home ranged around a central courtyard with a cooling fountain. “It was just for fun,” the Italian recalls, then pauses to laugh. “And then I lost control of myself.” Eighteen months later, he completed his buying spree, having accrued a total of 21 adjacent riads at breakneck speed. He had a vision, agrand plan, for the huge parcel of land so aggressive­ly assembled: Demolish the structures, many of which were beyond repair, and then hire Morocco’s superb local craftsmen to construct a sprawling villa for him. The catch: Those craftsmen worked exclusivel­y by hand. But as a newcomer, he felt it was

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 ??  ?? A sitting room blends modern furniture and an abstract painting by Giò Pomodoro with traditiona­l Moroccan architectu­re’s arches and metalwork.
A sitting room blends modern furniture and an abstract painting by Giò Pomodoro with traditiona­l Moroccan architectu­re’s arches and metalwork.
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