Robb Report (USA)

PARIS TO CHICAGO, ROUND TRIP

- J.B.

Mariane Ibrahim moved to the US 11 years ago, frustrated that, despite her native France’s long colonial history in Africa, there just wasn’t a market for contempora­ry artists of the continent’s diaspora. “I needed to prove them wrong,” says Ibrahim, who is of Somali heritage.

Now, having built a much-watched gallery in Chicago, she’s expanding to Paris with her red-hot roster of artists—nearly all of them born in Africa or of African descent. “I’m in the intellectu­al and emotional place to come back to France and introduce them to progressiv­e European collectors,” she says, noting she sees it as a “personal challenge” to bridge the multiple cultures in this time of social upheaval.

Her new outpost is a 4,300-square-foot, three-floor space on the same short stretch of the Right Bank’s Avenue Matignon as Christie’s, Skarstedt, White Cube, Perrotin and the future home of Sotheby’s, further cementing the area as a contempora­ry-art destinatio­n and Paris as the post-Brexit European capital of choice. Ibrahim titled this month’s inaugural exhibition J’ai Deux Amours, or “I Have Two Loves,” after Josephine Baker’s signature song about Paris and the US; each artist, including fast-rising star Amoako Boafo, will create a pair of works.

“I realized all of our artists have two places in their minds, and I am also from two places,” Ibrahim says. “They all have two loves that they navigate with.”

 ??  ?? CLOCKWISE FROM
ABOVE: Mariane Ibrahim in her new Paris gallery; Ayana V. Jackson, Judgement
ofParis, 2018; Peter
Uka, TallLongJo­hn, 2021.
CLOCKWISE FROM ABOVE: Mariane Ibrahim in her new Paris gallery; Ayana V. Jackson, Judgement ofParis, 2018; Peter Uka, TallLongJo­hn, 2021.
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The Goods
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