The Art of Listening
Each of these three new speaker systems is a masterwork of acoustic reproduction, but with a signature approach to high-fidelity sound.
Highlights of the first post-pandemic audio exhibition, recently hosted by T.H.E. Show in Long Beach, Calif., included an impressive trio of loudspeakers. Each example renders an immersive auditory reality with pinpoint precision while proving that there’s more than one way to paint a lush sonic landscape.
master tapes and Voss Audio electronics, we found them capable of reproducing every nuance on the recording with distinctly refined and realistic sound. Plus, unlike most standard British speakers, these pack a wallop in the bottom end, with sound-pressure levels that the original design could never touch.
HEAVY METAL
Switzerland’s Stenheim Reference Ultime Two is a 509-pound, five-foot aluminum monolith that occupies the middle of Stenheim’s Reference lineup. The speakers emit a sound that’s stunningly lifelike, with an emphasis on “stunning.” Piano solos at concert-hall quality are reproduced with a level of body, scale and substance that seems to replace the components (priced at $150,000 for two) with an actual Steinway. All the traditional attributes of Swiss accuracy are evident, and a predictable comparison of the speakers’ finish to the casework and craftsmanship of Geneva’s finest timepieces is not unfounded.
PERFECT 10
The best-sounding speakers at the show, MC Audiotech’s Forty-10 are unique, using a curved array of 10 proprietary bendingwave transducers in the top section to create an expansive yet detailed soundstage. The configuration combines the best attributes of planar, ribbon and electrostatic designs, placing voices and instruments with a level of precision typical of the best point-source monitors. Each surreal-looking array is mounted atop an open-baffle, folded-cube enclosure with two 18-inch subwoofers, which handle frequencies below 100 hz using an adjustable external crossover. Efficient enough to be powered by two low-wattage amps, these speakers seemingly have it all: the transparency of electrostatics, the immediacy of horns and the iron-fist grip of the best cones. Listening to the landmark jazz album Africa/Brass through the Forty10 system is like having Reggie Workman’s stand-up bass and Coltrane’s tenor sax in the room with you. Of course, that many superlatives don’t come cheap. The price of admission starts at $45,000 per pair.