Robb Report (USA)

G IS FOR GEMS

- Victoria Gomelsky

KNOWN TO MANY simply as “G,” Glenn Spiro is a London-based private jeweler who creates one-of-a-kind designs sought by collectors and connoisseu­rs for their unexpected pairings of rare colored gemstones with offbeat materials. And yet, outside of those privileged circles, his work remains largely unknown. A new book, G: Glenn Spiro—The Art of a Jewel, published by Assouline in October, looks to change that.

“I don’t think anyone is doing what Glenn is doing,” says author Jill Newman, a veteran jewelry writer (and former longtime Robb Report editor) who met Spiro some 20 years ago, when she encountere­d his work at the Baselworld luxury fair, in Switzerlan­d. “Each piece is such a triumph,” she says.

Newman refers to a necklace Spiro designed using 20 natural, cushion-cut Colombian emeralds totaling 212 carats. “Anyone else would take these rare stones and make rings, necklaces—several pieces,” she says. “He took all of them and set them in a green titanium choker. You could wear it to a black-tie affair, but if someone wore it down the street with a white T-shirt and jeans, you wouldn’t even know.” That kind of irreverent approach to the rarest of stones—think Burmese rubies, Kashmir sapphires and Golconda diamonds, but also more esoteric gems such as fine spinels, antique turquoise and demantoid garnets—is classic Spiro.

The jeweler, who hails from East London, got his start at age 15 as an apprentice at English Artworks, a workshop owned by Cartier in nearby Hatton Garden. He burnished his reputation when he began partnering with Lançon, a Geneva-based jewelry manufactur­er renowned for its boundarypu­shing designs. In 2014, Spiro establishe­d his own atelier, and since 2016 he has operated out of a historic salon in Mayfair, the former studio of fashion designer Sir Norman Hartnell. Unlike many of his contempora­ries, however, he’s never pursued the limelight, preferring to let his idiosyncra­tic jewels stand on their own.

Spiro tells Robb Report that he wants his jewelry to be remembered for its impact. “This is jewelry for confident women who enjoy life,” he adds, “so I hope they are remembered for looking great in it, too.”

 ?? ?? CLOCKWISE FROM
RIGHT: Sirene cuffs in titanium and diamonds; Pea-Leaf brooch in 18-karat yellow gold, demantoid garnets and diamonds; necklace in 18-karat white gold, antique coral, natural spinel and diamonds; ring in bronze and 18-karat red gold with a 10-carat, D-color, internally flawless diamond.
CLOCKWISE FROM RIGHT: Sirene cuffs in titanium and diamonds; Pea-Leaf brooch in 18-karat yellow gold, demantoid garnets and diamonds; necklace in 18-karat white gold, antique coral, natural spinel and diamonds; ring in bronze and 18-karat red gold with a 10-carat, D-color, internally flawless diamond.
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