Rock & Gem

Cerro de Trincheras Trail, Museum & Petroglyph­s South of the Border in Sonora, Mexico

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The Cerro de Trincheras is an extraordin­ary prehistori­c archaeolog­ical site located just outside the village of Trincheras in the northwest Mexican state of Sonora. The site opened to the public in December 2011 and includes an interpreti­ve trail and an extensive visitor’s center (museum). The site is under the auspices of the National Institute of Anthropolo­gy and History (INAH).

My husband and I visited the site by taking a day-trip tour south of the border into Mexico (when the border was open before the COVID-19 pandemic), departing from Nogales, Arizona. The tour was organized by Linda Rushton from Ambos Tours of Arizona, based in Nogales, Arizona. We were part of a small group of nine people total. We left Nogales, Arizona, crossed the border into Nogales, Sonora, at 8 a.m., and, after a couple of stops, we reached Trincheras just before noon.

The Cerro de Trincheras site is the remains of 900 hillside terraces with retaining stone walls ranging from 4 inches to 10 feet tall, dating from an early culture between AD 1300 and 1450. “Cerro” in Spanish means hill or mountain, and “trincheras” was the Spanish term for entrenchme­nts or fortificat­ions, as that is what the hillside terraces reminded the early Spanish explorers. The name of this settlement is attributed to Captain Mateo Manje, who accompanie­d Father Francisco Kino to the Magdalena Valley. The soldier said that they looked like military trenches.

The stone terraces at Cerro de Trincheras were used for agricultur­al and housing purposes, where prehistori­c farmers of the Sonoran Desert lived. The first settlers arrived in the area about 13,000 years ago, and the hunters and gatherers adapted to the Sonoran Desert environmen­t about 10,000 to 8,000 years ago (www.lugares.inah.gob.mex ). The site excavation took place between 1995 and 1996 and was a bi-national effort. Research showed that over 1,000 people lived there, and creating the terraces was a major investment of labor (Cerro de Trincheras, Randall McGuire & Elisa Villalpand­o, Archeology in Tucson, Winter 1998).

When we visited, a new short-term pottery exhibit was on view. The beautiful display included four polychrome pots discovered by archaeolog­ists at the site, and new pottery created by local youth, using the ancient clay type and methods.

Among the other museum exhibits, I found most interestin­g the arrowhead points, finds from the local Clovis culture around 5,000 years ago. The name ‘Clovis’ is derived from Clovis, New Mexico, where these type of spear points were first found in 1929. On exhibit are biface, fluted biface and projectile points from La Cochera and La Playa Municipali

ties of Trincheras and the geo-archeologi­cal investigat­ions at Fin Del Mundo, all dating from 5500 to 4100 years ago. Points from La Playa date to the early Agricultur­e Period (1500 to 850 BC), which continued into the early Ceramic Period (AD 50-500). The rich blade industry artifacts include cores, flakes, and blades. Local materials used include vitrified basalt, quartzite, rhyolite, obsidian, and chert (for in-depth details, read Clovis - At the Edge of New Understand­ing, A. Smallwood, T. Jennings, 2015).

I was also very attracted to the local jewelry-making finds of shell bracelets and beads from the nearby La Playa site, which had a thriving shell jewelry manufactur­ing tradition. Marine shells were collected in the Gulf of California and utilized by the communitie­s of Early Farmers to adorn their bodies. Among them are cone shells and Glycemeris shells (large saltwater bitterswee­t clams) - a popular trade item among the Hohokam people of the Sonoran Desert; some shell fragments are even engraved. Archeologi­sts have recovered examples of all manufactur­ing process stages of shell loops (circles) for bracelets and beads. The known method of shell-bracelet manufactur­ing from the La Playa site, involved “marking off the shell exterior with deep, regular, short scratches, and the artisan sawed them with a sharp flaking tool. When the grooves were deep enough, the artisan tapped the center with his hammerston­e, and the core fell out. Then, the ragged edges were ground and smoothed” (Shell Bracelet Manufactur­ing, Christine Virden-Lange, Archeology Southwest, 2017).

Walking through the museum, we followed the outside trail, where interpreti­ve signs guide visitors through the terraced hills. The hill’s occupation only lasted about 150 years, and much of the evidence has disappeare­d, but the terraces’ stone walls remain as silent witnesses. When we visited in the summer, all terraces were covered by green vegetation due to monsoon rains. A few fellow tour participan­ts braved the heat and hiked all the way to the top of the hill to see the Plaza del Caracol (the snail shell), which has semi-circular walls and a spiral-shaped access corridor.

Andy and I walked to La Cancha (The Court), a large plaza area for public events. The Court is the name modern archeologi­sts gave to this public space, which never had a roof, possibly used by the ancient inhabitant­s for ceremonies. The interpreti­ve signs read, “As in modern Indian ceremonies in northern Mexico, dancers probably used the flat space, and musicians and singers accompanie­d them from the circular structure.” We also enjoyed the petroglyph­s area, where various images are carved on the rocks, occurring isolated or in groups. Designs include animals, human figures, and geometric forms.

The Cerro de Trincheras is a wonderful site, definitely worth visiting. Visitors can learn about this agricultur­al community and the Sonoran Desert’s pre-Hispanic occupation that was much more complex than previously imagined. Most exhibits are both in Spanish and English. All museum personnel were wonderful, happily sharing their knowledge about the site. It is open Wednesday through Sunday, 9 a.m. until 4 p.m., and there is no admission fee.

Find them at www.facebook.com/Zona-Arqueológi­ca-Cerro-de-Trincheras, with a link to their website.

 ??  ?? The Cerro de Trincheras site is the remains of 900 hillside terraces with retaining stone walls dating from an early culture between AD 1300 and 1450.
The Cerro de Trincheras site is the remains of 900 hillside terraces with retaining stone walls dating from an early culture between AD 1300 and 1450.
 ??  ?? Arrowhead points from the Early Agricultur­al Period (1,500-850 BC) from La Playa.
Arrowhead points from the Early Agricultur­al Period (1,500-850 BC) from La Playa.
 ??  ?? La Cancha (The Court) is a large plaza area possibly used by the ancient inhabitant­s for ceremonies.
La Cancha (The Court) is a large plaza area possibly used by the ancient inhabitant­s for ceremonies.
 ??  ?? The Cerro de Trincheras extensive visitor’s center (museum) opened to the public in December 2011.
The Cerro de Trincheras extensive visitor’s center (museum) opened to the public in December 2011.
 ??  ?? (Left) Archeologi­sts have recovered examples of all manufactur­ing process stages of shell loops (circles) for bracelets and beads. (Right) Shells and mother-of-pearl from the Gulf of California and tools utilized in jewelry were recovered at the La Playa site.
(Left) Archeologi­sts have recovered examples of all manufactur­ing process stages of shell loops (circles) for bracelets and beads. (Right) Shells and mother-of-pearl from the Gulf of California and tools utilized in jewelry were recovered at the La Playa site.
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 ??  ?? (Left) The petroglyph­s area includes images carved on the rocks with animal, human figures, and geometric designs. (Right) The Cerro de Trincheras is an extraordin­ary prehistori­c archaeolog­ical site located in Sonora, Mexico.
(Left) The petroglyph­s area includes images carved on the rocks with animal, human figures, and geometric designs. (Right) The Cerro de Trincheras is an extraordin­ary prehistori­c archaeolog­ical site located in Sonora, Mexico.
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 ??  ?? Helen Serras-Herman, a 2003 National Lapidary Hall of Fame inductee, is an acclaimed gem sculptor and gemologist with over 38 years of experience in unique gem sculpture and jewelry art. Visit her website at www.gemartcent­er.com and her business Facebook page at Gem Art Center/Helen Serras-Herman.
Helen Serras-Herman, a 2003 National Lapidary Hall of Fame inductee, is an acclaimed gem sculptor and gemologist with over 38 years of experience in unique gem sculpture and jewelry art. Visit her website at www.gemartcent­er.com and her business Facebook page at Gem Art Center/Helen Serras-Herman.

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