Rock & Gem

NIPOMO MARCASITE

- BY RUSS KANIUTH

Although marcasite is found all over the world, Nipomo is most famous for its owery patterns of shiny metallic gold-colored marcasite oating in chalcedony.

WHERE IS NIPOMO?

Nipomo is a small rural suburban town on the central coast of California, a favorite rockhoundi­ng spot for years. Today, many of the stones from this region have become exceedingl­y scarce. Many of the digging locations for this marcasite are on private property. It was allowed at one point to collect with the owner's permission, but a few rockhounds ruined it for the rest by trespassin­g, trampling newly-grown crops, and opening and closing gates not allowing cattle to get to their water sources. As a result, this material hasn’t been dug for a few decades.

CHARACTERI­STICS

Nipomo marcasite has many agate characteri­stics, the favorites are the golden plumes in clear agate. e agate can also be milky to white and have translucen­t reds to browns. When buying marcasite, it's difcult to tell what you will get. Many times the metallic marcasite is in spots throughout, giving it that dalmatian eect. Other times you can nd pieces with almost 90 percent metallic marcasite with little spiderwebb­ing agate. If you are seeking certain colors or grades, buying slabs might be the way to go. Although at this point, it’s tough to be too fussy over what you nd since there’s not a lot out there.

When buying in the rough form, check the outer layer to see that it’s stable enough to cut. Marcasite with minimal agate can be very so€ and crumbly and not yield a great deal of cabbing material.

SLABBING & DESIGNING PREFORMS

When starting to slab rough, there’s generally no right or wrong direction. It’s probably best to load the saw with the ‚attest spots possible for the vice to grip. If a€er a couple of slabs, patterns appear that are going in a dierent direction than you’d rather try to capture, reposition the rock in the saw and cut from a dierent angle.

Cabbing this material is not di„cult, but there are a few precaution­s to look for when designing your preforms.

e marcasite on the outer edges of the rough rock that was exposed to the soil may be very so€ and crumble

Many of the digging locations for this marcasite are on private property. It was allowed at one point to collect with the owner's permission, but a few rockhounds ruined it for the rest by trespassin­g, trampling newly-grown crops, and opening and closing gates not allowing cattle to get to their water sources. As a result, this material hasn’t been dug for a few decades.”

away when trying to trim out your cab shapes. Always bench-test each one ahead of time, so that you can make adjustment­s in design as needed. If you design from the center of the slab with a great deal of agate content, you should be ne, with little to no pitfalls.

CABBING

I start cabbing on the 80-grit steel diamond wheel to shape and dome my preforms then move to the 60-grit so resin wheel. Once you reach the so resin wheels, you should continuall­y check your work as you go, because the hardness dierences could lead to undercutti­ng or pitting.

Depending on the desired outcome, some lapidaries like to stop and stabilize their cabs to ll in the pits or gain an equal hardness so that the surface remains even across the nished cab.

Otherwise, you can continue and keep the natural look and move your way to the 280 so resin wheel. ‚is is where the majority of the work will take place. Be sure to constantly dry o the material and check for scratches. Do not move forward until they are all gone at this stage.

Aer this, everything is routine to any other agate. Go from the 600-grit, all the way up to the 14k-grit wheel and this will leave you with a gorgeous polished agate with brilliant shiny metallic marcasite that just gains a ton of attention.

Over time, marcasite tends to tarnish, so a light polish with Zam Polishing Compound will give an added polish and protectant. ‚is will most likely need to be done again and again over time to keep it shiny, as oils and air will continue to tarnish this material.

Nipomo marcasite has many agate characteri­stics, the favorites are the golden plumes in clear agate. The agate can also be milky to white and have translucen­t reds to browns.”

 ?? ??
 ?? ??
 ?? ??
 ?? ??

Newspapers in English

Newspapers from United States