Rolling Stone

GRATEFUL DAD

- REPRESENTA­TION

or endorsemen­t? That’s the question that haunts most of Sofia Coppola’s tales of charismati­c-sad-girl pop ennui bumping heads with the bubble-wrapped domains of privilege — and On the Rocks is no exception. Laura (Rashida Jones), a writer in New York, suspects that her husband, Dean (Marlon Wayans), is cheating. Who better to ask for advice than her own emotionall­y absent playboy dad, Felix (a brashly deviant Bill Murray)? Soon, Felix’s cockamamie ideas for ferreting out the truth about Dean inspire low-fi hijinks that work double-duty as overdue father-daughter bonding time. At some point, though, you start to wonder if the movie knows it’s essentiall­y about a white guy’s vehement but inarticula­te dislike for his black son-in-law. Other scenes don’t help: Note a police encounter that, not unusual for Coppola, feels blissfully adrift from reality — this time, to a fault. On the plus side, Murray’s aggressive paternalis­m — concerned-father chic, but make it psycho — is surprising­ly uncomforta­ble, and the movie is wiser for it.

K.A.C.

 ??  ?? Jones and
Murray
Jones and Murray

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