Rolling Stone

Innervisio­ns

Stevie Wonder

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“we as a people are not interested in ‘baby, baby’ songs any more, there’s more to life than that,” Stevie Wonder said in 1972. With Innervisio­ns, he offered a landmark fusion of social realism and spiritual idealism; he brings expressive color and irresistib­le funk to “Too High” (a cautionary anti-drug song), “Higher Ground,” and “Living for the City,” a cinematic depiction of exploitati­on and injustice.

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