Rolling Stone

The Last Word

The vocal icon on the joys of Twitter and the advice that guides her

- BRITTANY SPANOS

You had a busy 2020, appearing on The Masked Singer and participat­ing in a Verzuz battle. How else have you been spending your time during the pandemic?

You know what I’ve been able to do, actually, is sleep. Get as much rest as I want to, or not get up if I don’t want to. It’s just been a pleasant retreat for me for a bit. I’ve been able to do some other things that have been meaningful for me as well — I’ve still been able to become involved with charitable organizati­ons. I’ve been watching a lot of TV, which has been hysterical, because I’m watching shows that I hadn’t seen since I was a child, on MeTV.

What kinds of shows have you been watching?

Right now, Bonanza, Perry Mason, early in the morning. It’s been those kinds of shows that I grew up watching, and all of a sudden they’re back in my life again.

Even though you’re not on the road, you’ve found a great way to interact with old fans and make new ones, through Twitter. What have you enjoyed most about tweeting?

I’ve made some new friends in the younger generation, so it’s just been a bunch of fun for me. I think it’s wonderful, just for the fact that they had discovered that there is a Dionne Warwick, which is very nice. And to find out that they were aware of me before Twitter, but have become more aware of me and are enjoying me, which is the best part of it all.

One really powerful part about your interactio­ns there is how you’ve pushed for inclusivit­y, talking about pronouns for LGBTQ fans, for example. And I know that “That’s What Friends Are For” was actually a benefit single for AIDS research. Has it always been a priority for you to connect with your fans who are queer and nonbinary?

I think it’s wonderful. I don’t look at them any differentl­y than I do any other human being. They’re people. I think that is basically the premise of it all, that I care about them as much as I care about anybody else. I have no choice in the matter, basically, because I don’t judge people. That’s not my thing. You are who you are, and that’s what it is.

You’ve been touring internatio­nally for most of your life. What’s your favorite place in the world, and why?

There are many, but if I had to choose, I would say it would have to be Bahia, Brazil. It’s just where I found my paradise. It’s where I found something that’s kind of just disappeare­d here in the U.S., for me anyway: respecting elders, love of children, and love of the country . . . things that I was brought up to do, and that we seem to have lost sight of here for some reason. There are moments when I wake up in the morning wondering, “What country am I really living in?”

Who are your heroes, and why?

The first one would be Barbara Jordan, who was one of the most magnificen­t congresswo­men that ever graced the halls down there in Washington, D.C. I had the pleasure of meeting her.

I told her that at that point in time, I was thinking, “Maybe I should become an attorney.” She almost talked me into doing that, too. But as it turned out, she said, “You continue to sing, and you can go to law school anytime you want, but you continue to sing, OK?”

What’s the best advice you’ve ever gotten, either in the industry or outside of it?

The best advice in life has been from my family, and I got it from my mentors as well. I hate name-dropping, I really do, but these people were my mentors: Sarah Vaughan, Sammy Davis Jr., Frank Sinatra. They all said basically the same thing to me at a very tender time of the beginning of my career: “Be who you are. You cannot be anyone but you.” And I’ve never forgotten that.

What’s the best and worst part of success?

Oh, boy. The best part is bringing joy to people. I guess the worst would be not being able to find that period of time that’s solely mine. I’m everybody’s person, and I can’t and I don’t find the time to be me. Now, I must say these past 10 months have been sensationa­l. I got to know me again.

Warwick is collaborat­ing with Chance the Rapper on a benefit single.

 ?? ILLUSTRATI­ON BY Mark Summers ??
ILLUSTRATI­ON BY Mark Summers

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