Rolling Stone

Betty Davis

- By Jamila Woods

The first time I heard of Betty Davis was in college. I was in a class that was about Miles Davis, and we were reading his autobiogra­phy. I got to the page where he was describing meeting her, and how she influenced his fashion and his art. She styled him, and she introduced him to Jimi Hendrix, and that changed his trajectory to go toward more psychedeli­c rock.

When I listened to her music, I was instantly struck by the quality of her voice.

She makes me want to listen to what she’s saying. Listening to her records, it’s this raw emotion that makes you believe what she’s saying. That’s a really good lesson as an artist. I can get caught up in “Oh, did I hit the note?” to the point where I forget “Why did I even write the song? What am I feeling while I’m saying these words that I wrote?” She’s transmutin­g energy through her voice, which is really powerful.

She talked about love and sex in a way that felt like you were hearing from an auntie or sister. It felt very intimate and very specific. Her subject matter and her image were ahead of her time. [In the documentar­y They Say I’m

Different] she would say, “I just talk aggressive­ly and I know what I want, and men don’t like that. They like for women to be submissive.” She wouldn’t compromise on that.

When I was working on my album Legacy! Legacy!, I became obsessed with interviews by black artists. There was one recorded interview with Betty Davis that I listened to, and this one was intriguing to me because she would sometimes just answer “no.” It seemed like there was a human boundary that she wasn’t willing to cross for the sake of press. As I’ve become an artist who has to navigate those things, I always think back to that. You can have your own protected space of things that are just for you.

Today, we can see and hear the influence of Betty Davis in so many places. One thing I think about is the way that she sat across the intersecti­on of a bunch of genres — funk, soul, rock. That makes me think of a lot of artists today. She owned her own sexuality and expressed that onstage and wasn’t afraid to sing about that. That makes me think of so many black women artists in hip-hop, R&B, and soul who are comfortabl­e with expressing that part of themselves, whether it’s Cardi B, Megan Thee Stallion, SZA, Ari Lennox. It’s not about allowing it to be commodifie­d, but more just saying, “This is a part of my authentic expression.” She really laid the groundwork for that.

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