Rolling Stone

5 SMELLS LIKE TEEN SPIRIT

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Producer Butch Vig first heard “Smells Like Teen Spirit” in early 1991, on a boombox cassette recorded by bassist Krist Novoselic, drummer Dave Grohl, and singer-guitarist-songwriter Kurt Cobain in a barn in Tacoma, Washington. The fidelity was abysmal. Vig — about to work with Nirvana on their major-label debut, Nevermind — could not tell that the song would soon make undergroun­d Seattle rock the new mainstream and catapult Cobain into megacelebr­ity. “I could sort of hear the ‘Hello, hello’ part and the chords,” Vig said years later. “But it was so indecipher­able that I had no idea what to expect.” “Teen Spirit” was Cobain’s attempt to “write the ultimate pop song,” he said, using the soft-loud dynamic of his favorite band, the Pixies. The insidious hooks also showed his admiration for John Lennon. Cobain “had that dichotomy of punk rage and alienation,” Vig said, “but also this vulnerable pop sensibilit­y. In ‘Teen Spirit,’ a lot of that vulnerabil­ity is in the tone of his voice.” Sadly, by the time of Nirvana’s last U.S. tour, in late 1993, Cobain was tortured by the obligation to play “Teen Spirit” every night. “There are many other songs that I have written that are as good, if not better,” he claimed. He finally stopped playing “Teen Spirit” for good — taking his own life on April 5th, 1994.

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