Rolling Stone

‘YELLOWSTON­E’ FEVER

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EARLIER THIS YEAR, some of country music’s most gifted songwriter­s, from Miranda Lambert and Aaron Raitiere to Sunny Sweeney and Jonathan Terrell, assembled on Nashville’s Music Row to write songs for country and roots music’s unexpected starmaker: Yellowston­e.

Despite being slated to end its five-season run in November (and reportedly be replaced by a spinoff with Matthew McConaughe­y), the Paramount series about a ranching family and the bloody drama that follows it has given country music a case of Western fever. Record labels are championin­g artists with rough-hewn aesthetics like Jackson Dean, Sterling Drake, and even one of Yellowston­e’s own cast, Luke Grimes. Festivals like Nevada’s Backcountr­y and Montana’s Under the Big Sky are on working ranches. And artists lucky enough to catch the ear of Yellowston­e’s music supervisor, Andrea von Foerster, see their profiles rise as soon as their episode airs.

“It really has legitimize­d me,” says Dani Rose, who’s had four songs on the series. “Yellowston­e bumped up my monthly streaming listeners to [nearly] 100,000, which was crazy, going from nothing to being put on playlists, just based off of the fact that I had music on the show.”

Some artists have crossed over to the show itself. Lainey Wilson, Nashville’s new star, with hits like “Watermelon Moonshine” — heard on the series — played a singer, and brought along her band members (who’ve since been asked to sign autographs).

Rose says the appeal of Yellowston­e’s music is its honest origins. Like life on the Dutton Ranch, daily existence can be dark — if, hopefully, less violent. “On the show, there’s a ton of shit that is so horrifying,” she says. “And yet, some of us writers, our life isn’t a movie, but we’ve experience­d true pain. And that’s what we’re able to write about.”

 ?? ?? Lainey Wilson
Lainey Wilson

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