San Antonio Express-News (Sunday)

The Pavlova begs for improvisat­ion

- By Eric Kim

In 1905, prima ballerina Anna Pavlova premiered a solo ballet created just for her, “The Dying Swan,” which she would go on to dance about 4,000 times before her death in 1931.

“It was a combinatio­n of masterful technique with expressive­ness,” Michel Fokine, the piece’s choreograp­her, said of his compositio­n in a 1931 interview for Dance Magazine. Fokine called the groundbrea­king work “almost an improvisat­ion.”

It is with the improvisat­ional spirit of Pavlova’s performanc­e that I approach my Pavlova (the meringue dessert, not the dancer). Egg whites, sugar and cream are an ideal blank canvas for nearly anything — including the Oreos in my pantry, which have a bitter, chocolaty essence that I adore.

The Pavlova, named after the ballerina, is, first and foremost, an ethereal pudding (in the British sense of the word). A meringue disk topped with freshly whipped cream and fruit, the dessert dances between crispy and chewy, between sweetness and relief. Everything in life needs balance, and a classic Pavlova is a paragon of balance.

If you have ever attempted a

Pavlova at home, then you know that the joy of making one comes from how its shape turns out differentl­y every time. There is no assigned pan, just the free-form expanse of your imaginatio­n. Some like to draw a circle on

parchment as a guide. But try this instead: Give in to the billowy, mercurial nature of the meringue’s natural movements. Let it fall where it falls. After all, it’s not cake; it’s Pavlova.

What makes a Pavlova especially delightful is the way a majority of its volume comes from air, which is beaten into the egg whites and sugar until they become thick and voluminous, like Marshmallo­w Fluff. This snowy mound dolloped into a very loose, amorphous round with peaks and swirls is baked low and slow until crackled and crisp at the edges. As the meringue cools on the counter, it deflates, creating Pavlova’s quintessen­tial chewy center.

A standard Pavlova — in the New Zealand and Australian traditions — comes with juicy fruit on top. Sweet-tart strawberri­es, kiwis and passion fruit are all fair game.

But here, the meringue leans into the nostalgic taste of cookies and cream. Oreos not only lend that teeter-totter of milky filling and bitterswee­t wafers, but they also keep the center of the meringue moist and fluffy. The Oreo “creme,” coupled with the moisture in egg whites, softens the crisp, cocoa-dark cookies into gooey pockets of chocolate.

Fans of the marshmallo­ws in Lucky Charms cereal will delight in this four-ingredient Pavlova, whose flavor is reminiscen­t of those hearts, stars and horseshoes. Offsetting the meringue’s sweetness is a crown of whipped cream — like the milk you drink at the end of a bowl of cereal.

If chocolate sandwich cookies aren’t your thing, then maybe your meringue base is streaked with peanut butter or dusted with freeze-dried raspberrie­s. This is your Pavlova. Express yourself in it.

 ?? Johnny Miller / New York Times ?? This pavlova leans into the nostalgic taste of cookies and milk.
Johnny Miller / New York Times This pavlova leans into the nostalgic taste of cookies and milk.

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