San Antonio Express-News (Sunday)

Baptist music use varies by church

- By Bob Smietana

Step into a big Baptist church on Sunday morning and chances are you’ll hear the same popular worship songs played at other big churches around the country.

But show up in a small church, and you never know what you’ll find — anything from “How Great Thou Art” to “Take Me Home, Country Roads.”

“Smaller churches are like the Wild West,” said Will Bishop, associate professor of church music and worship at Southern Baptist Theologica­l Seminary in Louisville, Ky. “Anything goes.”

Bishop has been working on a recent survey project to better understand the worship music used in local churches, especially smaller congregati­ons, in the nation’s largest Protestant denominati­on.

He said companies like Christian Copyright Licensing Internatio­nal — better known as CCLI — do a good job tracking the most popular songs used in churches. But they often miss out on some of the details of worship in local congregati­ons — such as who is picking songs or who plays them. They also miss when churches sing out of hymnals or other songbooks, rather than projecting songs on a screen.

The charts also can leave the impression that the only songs being sung in worship are hits from Hillsong, Bethel and other megachurch­es.

That’s true in big churches, he said, but not everywhere. Music at big churches is often put together by full-time staffers who have time to track down all the latest songs and follow the latest trends.

“They’re all going to the same conference­s; they’re all kind of hanging out with the same people,” he said. “If you’re in a small church, you may not have any connection­s. You’re not going to conference­s. You may not know what’s going on in the bigger world.”

Bishop said he started working on his survey to help his students know what to expect when they start working in churches. He sent surveys to more than 900 congre

gations in five different parts of the country: Louisville, Memphis, Oklahoma City and New York, along with rural Colorado and Louisiana.

He eventually collected data from 127 congregati­ons — not a representa­tive national sample, but enough, he said, to give a snapshot of the worship life of local churches. He asked details, like who picked songs, whether churches sang contempora­ry songs or hymns, whether some songs were banned, as well as asking for a church’s favorite hymns.

Among the findings: About 1 in 5 churches sang more hymns than modern songs, while a third sang as many hymns as modern tunes. Four in 10 sang more modern songs than hymns. Only 1 in 10 sang mostly modern songs, while the same percentage sang mostly hymns.

Worship leaders pick most of the music, often with no input from the church’s pastor. Almost every church (89 percent) projects lyrics on a screen, while two-thirds of churches (65 percent) said they never use hymnals. One in five said women were not allowed to lead worship singing.

About 90 of the churches had banned at least one song: most often songs from charismati­c megachurch­es Bethel and Hillsong.

Bishop also asked churches to list their favorite hymns, then compiled a list of the most popular contempora­ry songs. The top song was “Living Hope,” co-written by Phil Wickham, a wellknown worship artist, followed by the modern hymn “In Christ Alone,” and then three older hymns: “It Is Well with

My Soul,” “Amazing Grace” and “How Great Thou Art.”

“Hymn singing is not dead,” he said. “At least among Southern Baptists.”

Bishop’s survey is based on an influentia­l 1938 study that helped shape Southern Baptist church music in the 20th century. Published in 1939, that study used survey techniques popularize­d by George Gallup to gather data from 1,093 local congregati­ons.

Martin Cherry, an associate pastor and worship leader at Flatonia Baptist Church in Texas, said the congregati­on often sings “What a Friend We Have in Jesus” and other older hymns during services, though with a more modern arrangemen­t. The church had been mostly traditiona­l till about a decade ago and slowly transition­ed to more contempora­ry music.

Cherry said he and other leaders try to pick songs that fit the church’s identity, rather than trying to copy the latest trends.

“When churches try to push too hard, in different styles of music, it’s like asking your people to put on a costume, pretending to be something you’re not.”

Bishop’s survey did include some surprising results. He’d heard that some churches will play secular songs in services and decided to ask if that was the case. Some responses seemed to fit in church, like Carole

King’s “You’ve Got a Friend” and Bill Withers’ “Lean on Me.” Others, like “Take Me Home, Country Roads,” left him scratching his head.

If a church really was doing a singalong of the John Denver hit during services, “I’d like to see a video of that,” said Bishop.

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