San Antonio Express-News

Kacey Musgraves digs for something deeper

- By Maria Sherman

Just over a decade ago, Kacey Musgraves emerged as a fresh new voice in country music — a mid-tempo storytelle­r with an incredible acuity both in her lyrics and in her instrument­ation, knowing just when to pick up the harmonica, whistle a tune or break out the vocoder.

In the years and awardwinni­ng albums since, she’s proven herself to be malleable: weaving discopop into her narratives where fitting (most memorably on “High Horse” from 2018’s “Golden Hour,” the love-forward release that earned her album of the year at the 2019 Grammys ), recording in Spanish ( “Gracias a la Vida” from 2021’s divorce record, “star-crossed” ) and, most recently, recording a feature with Zach Bryan, which has become her first No. 1 hit (the sentimenta­l “I Remember Everything.”

In 2024, it has led to “Deeper Well,” a muted folk record with a warm kind of profundity.

The album opens with the ’60s folk-inspired “Cardinal,” a similar tone to its closer, “Nothing to be Scared Of ” — acoustic guitars and Musgraves’ openhearte­d narratives delivered through her glassy vocal delivery. Much of the album follows the format, but with quite a few surprises.

Those looking for capital-c country through Musgraves’ matured folk filter could skip to “The Architect,” a masterful acoustic rumination on a higher power. “Sometimes I look in the mirror and wish I could make a request / Could I pray it away? Am I shapeable clay? Or is this as good as it gets?” she asks.

On “Anime Eyes,” Musgraves describes a “Miyazaki sky” and talksings her way through a kaleidosco­pic, psychedeli­c detour. “Lonely Millionair­e” is a surprising near-reimaginat­ion of Atlanta rapper JID’S “Kody Blu 31.” Seriously: He received a songwritin­g credit for the song, she does not rap, and it’s a weeper.

For fans following Musgraves’ career since the very beginning, “Deeper Well” is a noted evolution from “Follow Your Arrow,” the celebrator­y country-as-heck LGBT+ anthem from her 2013 debut album “Same Trailer Different Park.”

But the spirit is the same: Musgraves has long pushed the boundaries of her formative genre — whether its touring with Willie Nelson and Katy Perry — or when she made sure her co-writers Brandy Clark and Shane Mcanally took the stage when she won the Country Music Awards Song of the Year Award in 2014 for her first hit; it was the first time two openly gay people stood on the CMA stage for an award. That she chooses to move her needle, here, in a softer direction feels fitting.

Sometimes, that means hyper-specific language of the current moment, like in the fingerpick­ing title track “Deeper Well.” “My Saturn has returned / when I turned 27,” she sings, referencin­g the popular astrologic­al conceit that also appears on Ariana Grande’s latest album, “eternal sunshine.” “Everything started to change / Took a long time, but I learned.” There’s another line, “You’ve got dark energy,” that feels more like a text message than an effective lyric — and runs the risk of dating itself the moment the listener hears it — but that, too, could be a tool. Here, Musgraves is interested in a kind of existentia­l bloodletti­ng, revealing the depths of her thoughts about love and death trickle out in gorgeous-sounding songs with sweet melodies.

Like in the standout “Dinner with Friends,” her tear-jerking response to “The Sound of Music” classic “My Favorite Things,” in which Musgraves, atop piano and acoustic guitar, sings about all of the things she loves — and will miss — “from the other side” of life.

“My home state of Texas / The sky there, the horses and dogs,” she sings. “Intimate convos that go way into the night / The way that sun on my floor makes a pattern of light.”

As a whole, “Deeper Well” is a soft-pedaled album but also one that celebrates her humanity. It’s a nice change of pace — arguably the best kind — one with some familiarit­y.

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