San Diego Union-Tribune (Sunday)

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Using Google Earth, artist creates ‘a meditation on what home is’

- VIRTUALLY SPEAKING BY DAVID L. CODDON Coddon writes the Union-tribune’s Arts+culture Newsletter, published every Thursday. Portions are published in this column. To get the newsletter in its entirety, sign up for it at sandiegoun­iontribune.com/utartscult

During the documentar­y film iteration of her virtual performanc­e piece “You Are Here,” immersive artist Marike Splint refers to the 57-minute experience as “a road performanc­e with Google Earth as my vehicle.” Utilizing that satellite-imagery platform, Splint guides viewers to and through significan­t places in her life while encouragin­g them to do the same with their own.

“It’s a meditation on what home is,” Splint said in a recent phone interview from Los Angeles. “What is that space for us right now, but also what other places constitute home for you? I hope it brings people back into their bodies in a spatial way.”

“You Are Here: A Homebound Travelogue” is an extension of the interactiv­e production Splint hosted earlier this year, part of La Jolla Playhouse’s Digital “Without Walls (WOW)” programmin­g.

“Everyone is trying to explore how to reach an audience where we can be together in the same space. For me,” Splint recalled. “It was very important to have a live element in the exploratio­n of the work.”

“At the same time, La Jolla Playhouse said it would be nice if at some point we could release it to a wider audience and see how many people we could reach with the film version.”

The pay-what-you-wish film combines Splint’s Google Earth-driven travelogue with her thoughtful commentary about space, place and time. Zoom participan­ts filmed during an August performanc­e of “You Are Here” are seen in their personal squares and are sometimes called upon to interact, but the arc of this journey is completely in Splint’s hands.

Perhaps the most intriguing point “You Are Here: A Homebound Travelogue” makes is that the satellite platform is empowering in how it allows us to see the world at this isolated time in history while at the same time a bit troubling in its power to do so without being detected. “With every nostalgic click,” Splint says during the film, “I keep the all-seeing-eye alive.” lajollapla­yhouse.org

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