San Diego Union-Tribune (Sunday)
Live look at local music
The San Diego Music Awards will celebrate 30 years with an in-person ceremony at Humphreys
The local music scene has come a long way in the last three decades, and the San Diego Music Awards show is ready to celebrate. For its 30th anniversary, the annual music awards ceremony — which celebrates the diversity of musical talent in San Diego — returns to its longtime home of Humphreys Concerts by the Bay on Tuesday.
“It’s probably the best venue for us,” SDMA founder and promoter Kevin Hellman said, noting that the outdoor aspect eases some COVID-19 concerns.
Though Humphreys has hosted the most SDMA editions to date, past events have been held at venues all over the county, from La
Jolla to Alpine. Most recently, the event took place at downtown’s
House of Blues. And like many other regional events, last year’s ceremony was held virtually and featured prerecorded performances.
While the SDMAS’ in-person return celebrates the resurgence of live music in San Diego, recorded music will take center stage at the 2021 ceremony.
“When we did our nomination announcement and voting, everything was still closed,” Hellman said. “Nobody had performed since March 13, 2020. So having categories that kind of rely on live performances didn’t make a whole lot of sense.”
The 2021 ballot replaces performance-based categories with additional genres for Best Album and Song of the Year awards, and also introduces Best New Video — fitting for a year of experiencing music virtually.
More than 100 San Diego artists and bands are up for awards.
Singer-songwriter Gregory Page leads the list with four nominations, while Carlsbad-based band
Aviator Stash follows with three.
Other popular nominees include Rebecca Jade, Switchfoot, Whitney Shay, Electric Mud, The Frets, Coral Bells, Casey Hensley and Ed Kornhauser. And although Jason Mraz’s 2020 album “Look for the Good” is not up for any awards, he’s featured on two of the seven tracks nominated for Song of the Year.
A few other nominees to look out for this year are hip-hop artist and southeastern San Diego native The Toven, who put out his debut album “Bigger Vibes” last August after years of releasing singles; four-piece punk band The Havnauts, winner of the SDMAS’ Best New Artist in 2019; and longtime jazz saxophonist Charles Mcpherson, who celebrated his 82nd birthday last month.
The honoree for the Country Dick Montana Lifetime Achievement Award is Jerry Raney, a San Diego musician best known as a member of the Beat Farmers — the local rock band that won Group of the Year at the inaugural San Diego Music Awards in 1991. (The lifetime achievement award, which debuted in 1993, is named after the Beat Farmers’ late drummer.)
This year’s San Diego Music
Industry Award will be presented to Liz Abbott, publisher of San Diego Troubadour, a publication that champions alternative country, Americana, blues, folk, jazz, gospel and bluegrass musicians.
In addition to the awards, there will be live performances by seven local acts: The Frets, Brisa Lauren, Ed Kornhauser, Chickenbone Slim, Electric Mud, Marujah and Cindy Lee Berryhill.
While the coast looks clear for the show to go on this week, Hellman acknowledges the ever-present unpredictability of in-person events with the coronavirus still looming, noting that the pandemic forced the awards show to go virtual just eight days before 2020’s ceremony.
Humphreys Concerts by the Bay is currently operating at full capacity, and the SDMAS will follow all updated COVID-19 guidelines enforced by the outdoor venue. At this time, masks are not required for vaccinated individuals, but attendees are encouraged to wear facial coverings if it makes them feel more comfortable.
Looking back
Aside from the awards, when past San Diego Music Awards come to mind, one may recall the predictable technical glitches, cheesy stage banter, noisy audience members and the large crowd’s tendency to indulge in a bit of alcohol.
But there are plenty of unexpected, highly memorable performances from the SDMAS’ 30year history — from elusive punk band The Locust taking the stage in insect costumes to The Burning of Rome performing with severed pig heads on poles.
There have also been politically charged moments.
In 1992,rapper Lord Byron (also known as Trick) picketed the ceremony because of the lack of a rap, funk or hip-hop categories. The following year, he was invited to the SDMAS as both a performer and nominee in a newly created category. More than a decade later, in 2003, Mojo Nixon performed the song “Show Me the Weapons,” an expletive-heavy attack on then-president George Bush and the Iraq War.
But perhaps most memorable of them all was David Jass’ 1993 animated outburst.
After the band Asphalt Ballet won the Best Hard Rock or Metal category, Jass — the guitarist of Uncle Joe’s Big Ol’ Driver — jumped onstage to denounce the band’s San Diego connection, and later attempted to do the same when Stone Temple Pilots won Album of the Year. But when his path was blocked by Hellman the second time around, Jass was knocked to the ground, prompting a few security guards and audience members to jump into the fray.
The brief brawl pointed to a bigger issue: the longtime controversy of who should, or shouldn’t, be eligible for awards. Despite the event’s strong local ties, bands and artists can be nominated even if they don’t currently live, or regularly perform, in San Diego.
One of the SDMAS’ biggest turning points was Hellman’s decision in 1996 to bring in outside help, including Tim Mays of the Casbah, to assist with the nomination process. While the eligibility criteria did not change, the revamped approach boosted the event’s credibility and respect on the indie scene — arguably cementing its future as a beloved San Diego tradition.