San Diego Union-Tribune (Sunday)

NEWLY RESTORED HOUSE IN POMPEII OFFERS GLIMPSE OF ELITE LIFESTYLE

- BY FRANCESCO SPORTELLI Sportelli writes for The Associated Press.

The newly restored remains of an opulent house in Pompeii that likely belonged to two former slaves who became rich through the wine trade offer visitors an exceptiona­l peek at details of domestic life in the doomed Roman city.

Last week, the House of Vettii, Domus Vettiorum in Latin, was formally unveiled after 20 years of restoratio­n. Given fresh life were frescoes created before the flourishin­g city was buried under the volcanic ash furiously spewing from Mount Vesuvius in 79 AD.

The unveiling of the restored home is yet another sign of the rebirth of Pompeii, which followed decades of modern bureaucrat­ic neglect, flooding and pillaging by thieves in search of artifacts to sell.

That is delighting tourists and rewarding experts with tantalizin­g fresh insights into the everyday life of what is one of the most celebrated remnants of the ancient world.

“The House of the Vetti is like the history of Pompeii and actually of Roman society within one house,” Pompeii’s director, Gabriel Zuchtriege­l, gushed as he showed off an area of the domus known as the Cupid Rooms last month.

“We’re seeing here the last phase of the Pompeian wall painting with incredible details, so you can stand before these images for hours and still discover new details,” the archaeolog­ical park’s energetic director told The Associated Press ahead of the public inaugurati­on.

“So, you have this mixture: nature, architectu­re, art. But it is also a story about the social life of the Pompeiian society and actually the Roman world in this phase of history,” Zuchtriege­l added.

Previous restoratio­n work, which involved repeated applicatio­n of paraffin over the frescoed walls in hopes of preserving them, “resulted in them becoming very blurred over time, because very thick and opaque layers formed, making it difficult to ‘read’ the fresco,” said Stefania Giudice, director of fresco restoratio­n.

But the wax did serve to preserve them remarkably.

Zuchtriege­l ventured that the fresh “readings” of the revived fresco painting “reflect the dreams and imaginatio­n and anxieties of the owners because they lived between these images,” which include Greek mythologic­al figures.

And who were these owners? The Vettis were two men — Aulus Vettius Conviva and Aulus Vettius Restitutus. In addition to having part of their names in common, they shared a common past — almost certainly, experts say, as once-enslaved men who were later freed.

It is believed that they became wealthy through the wine trade. While some have hypothesiz­ed the two were brothers, there is no certainty about that.

Pompeii’s architect director of restoratio­n work, Arianna Spinosa, called the restored home “one of the iconic houses of Pompeii. The residence “represents the Pompeiian domus par excellence, not only because of the frescoes of exceptiona­l importance, but also because of its layout and architectu­re.”

First unearthed during archaeolog­ical excavation­s in the late 19th century, the domus was closed in 2002 for urgent restoratio­n work, including shoring up roofing. After a partial reopening in 2016, it was closed again in 2020 for the final phase of the work, which included restoratio­n of the frescoes and of the floor and colonnades.

 ?? ANDREW MEDICHINI AP ?? Columns frame the courtyard at the House of Vettii, a restored home in the Pompeii Archaeolog­ical Park near Naples in southern Italy.
ANDREW MEDICHINI AP Columns frame the courtyard at the House of Vettii, a restored home in the Pompeii Archaeolog­ical Park near Naples in southern Italy.

Newspapers in English

Newspapers from United States