San Diego Union-Tribune (Sunday)

AI CAN CREATE BEAUTY. BUT CAN IT MAKE ART?

- Ross is a community engagement editor at The San Diego Union-tribune. She lives in City Heights. BY BELLA ROSS

When I think about the growing proliferat­ion of artificial intelligen­ce in the art world, I think about doorbells.

I guess it doesn’t really have to be doorbells. Imagine any mundane item a human might confront in everyday life. Imagine what it may have looked like 100 years ago, then what it would look like today. Fine materials shaped into intricate forms have almost ubiquitous­ly been replaced by uncomplica­ted, monochroma­tic pieces of plastic.

The point is, our track record of making compromise­s in the name of consumabil­ity is consistent and ever-growing. The reasons for this are vast, but it begs the question: When did artistry become so unimportan­t to us?

Valuing beauty and the arts can seem superficia­l, but we’re ultimately talking about human expression and appreciati­on. Our ability to communicat­e with, relate to and interpret the world around us through creativity is, arguably, our most human trait ( just ask Aristotle).

While blue-collar workers have long felt threatened by the prospect of automation, artists have largely been spared from the notion of having their jobs taken by robots for this very reason. That is no longer the case.

From the Ai-generated collab between Drake and The Weeknd and the concerns at the heart of Hollywood’s Writers Guild strike, to textto-image art generators threatenin­g graphic designers’ jobs, we can see this happening already. Why would a company pay a human artist to draw an illustrati­on — or to write a song or TV show script — when an AI program could do it for next to nothing?

I’m fearful of how this squares with our tendency to automate simply because it will almost always be

cheaper and more efficient. What gets lost in a society that favors robots are the very things artificial intelligen­ce lacks, and what makes life beautiful and worth living: artistry and shared humanity.

The importance of creative expression as a means of bringing people together is hard to overstate. Visual and musical artists connect us to a complex world of ideas that can’t be articulate­d with words alone. Various cultures and times in history are distinguis­hed by how their humans chose to express themselves artistical­ly and the stories they tell. There’s a reason we travel the world to see different styles of architectu­re, hear new genres of music and taste new flavors of food. The variety of human creativity brings vibrancy to our lives.

I don’t doubt that AI can make beautiful things. (I would expect nothing less from a software trained on unfathomab­le amounts of human conversati­ons and stolen art.) The biggest losses if the creative arts are overtaken by AI won’t be aesthetic.

I liken it to the death of the in-person newsroom. As a young journalist who mostly works from home, I find myself yearning for the unpredicta­ble and often spontaneou­s nature of the newsroom, as well as the opportunit­ies to share experience­s with my colleagues. Sure, studies show we are more productive (and, quite importantl­y, more accessible and environmen­tally friendly) working remotely, but they also show remote workers are more depressed, partly due to a lack of connection with others. I grieve the spontaneit­y of

shared spaces that can’t be replicated online, where complex humans become twodimensi­onal.

Our complexiti­es are rarely compatible with a scenario where we value productivi­ty and consumabil­ity above all else. Humans devoid of our quirks and complicati­ons are no more than machines, and the same could be said for art without humans. What is the point of art if not to help humans communicat­e with, understand and relate to other humans? Just another tool for rich collectors to lighten their tax burdens?

People will never stop expressing themselves creatively, but it will become even more difficult to have a viable career in the arts as budding talent is forced to compete with computers, pushing people out of the industry. Future generation­s will understand this more intimately than we could today.

Does this mean we should be averse to innovation and reject the many positive uses that will surely become of AI? Absolutely not. I’ve been on the internet for most of my life and thus am weary of inciting or leaning into moral panics about new technologi­es. AI will not only make informatio­n more accessible than ever, but will undoubtedl­y be used as a tool by human artists to make really compelling work.

What I’m arguing is that those of us — primarily, people with control of a payroll — who value creativity should support human artists over their AI counterpar­ts whenever possible, because I don’t want to find out what a world without artists would look like.

And because art, at its core, serves as a reminder that us humans are more alike than we are different.

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