San Diego Union-Tribune

MOVIE THEATERS URGED TO OPEN, BUT MANY TOO WARY

Aside from safety, new releases not due until July

- BY NICOLE SPERLING & BROOKS BARNES

In recent weeks, a tentative timeline for reopening America’s movie theaters began to take shape. It involved pushing to get 75 percent of the country’s 5,548 cinemas selling tickets again this summer, enough to justify the wide release of two potential blockbuste­rs: Christophe­r Nolan’s mindbendin­g “Tenet,” scheduled for July 17, and Disney’s megabudget “Mulan,” set for July 24.

That one-two punch would be enough to draw moviegoers back into theaters that had been closed because of the coronaviru­s pandemic, multiplex operators believed, allowing Hollywood to salvage part of the blockbuste­r season and, perhaps, revive a pastime that has taken on symbolic importance for the American economy.

But some politician­s want their popcorn now.

Some Republican governors are urging cinemas to reopen sooner rather than later. To help restart Georgia’s economy, Gov. Brian Kemp wants theaters to reopen starting Monday. Tennessee, where Regal Cinemas is based, plans to allow most businesses to reopen at the end of next week. South Carolina and Ohio are also restarting their economies. Texas and Florida are itching to do the same.

But movie theaters are worried about opening up too early. They don’t want to be lumped in with meatpackin­g plants and senior centers as hot spots for the virus. Already struggling financiall­y, theaters fear that a too-soon return could stigmatize them as dangerous places to congregate. And with new movies from Hollywood not set to debut until the middle of July — at the earliest — opening too soon would only make operators spend money before they could truly recoup costs from patrons.

“Hell no, we’re not opening on Monday,” Chris Escobar, who owns the 485seat Plaza Theater in Atlanta, said by phone. “When we do, it will not be because of political pressure. It will be because leading public health experts say our lives are no longer at risk.”

He added: “I want to be back in business right this second. But we’ve got to be smart about it. What happens if we open too soon and contribute to an outbreak? Traced to the Plaza Theater! You know what that would do to my business? I wouldn’t have one.”

Aubrey Stone, the chief executive of the Georgia Theater Co., which operates more than 200 screens in Georgia, South Carolina, Florida and Virginia, also said he will not open Monday. More realistic would be a July start, should the virus comply.

“We are not going to reopen until our partners in distributi­on will be supplying us with a consistent supply of new films,” Stone wrote in an email.

The major chains declined to comment.

The industry was heartened to be included in Phase 1 of President Donald Trump’s broad federal guidelines to restart the economy, grouped with restaurant­s and houses of worship rather than with large concert venues.

Now the chains, which operate independen­tly but consult one another on best practices, are spending their time determinin­g what protocols should be establishe­d. Separating seating within auditorium­s is one idea. Owners are also contemplat­ing longer intervals between showings to allow for deeper cleaning, plexiglass partitions at concession stands, and primarily touch-free environmen­ts in which staff members wear masks and gloves and patrons don’t carry physical tickets. Hand sanitizer and wipes would be made available.

Theater companies are desperate to begin doing business again. They were in a delicate state even before the pandemic: Attendance has been on the decline — down 5 percent last year in North America to 1.24 billion — and competitio­n, most notably from streaming services, has been on the rise

But theaters are uneasy about rushing back for a number of reasons.

Publicly, theater operators have pointed to supply as the primary holdup. The major studios have postponed every big release planned for May and June — “Black Widow,” “Top Gun: Maverick,” “F9,” “Wonder Woman 1984” — leaving multiplexe­s with nothing to show even if they wanted to reopen. Because most summer films cost $300 million or more to make and market, studios need the majority of theaters to be open before releasing the movies. Bringing them out in staggered fashion in the U.S. is not an option, studio executives say, in part because of piracy concerns.

“Until the majority of markets in the U.S. are open, and major markets in particular, new wide-release movies are unlikely to be available,” the National Associatio­n of Theater Owners said in a statement Wednesday.

“As a result, some theaters in some areas that are authorized to open,” the statement added, “will not be able to feasibly open.”

Behind the scenes, owners are working through a more complicate­d mix of considerat­ions. Lawyers are trying to sort out what kind of liability theaters could face if audience members get infected with the virus. Some multiplex operators are discussing whether to require ticket buyers to be part of a loyalty program, collecting personal informatio­n so the company can assist authoritie­s with contact tracing if needed.

Sperling and Barnes write for The New York Times.

 ?? AARON WOJACK NYT ?? Operators of some movie theaters are worried about reopening too early, despite encouragem­ent from politician­s. Theaters are already struggling financiall­y and don’t want to become hot spots for new outbreaks.
AARON WOJACK NYT Operators of some movie theaters are worried about reopening too early, despite encouragem­ent from politician­s. Theaters are already struggling financiall­y and don’t want to become hot spots for new outbreaks.

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