DAY WINS BEST ACTRESS
San Diego-raised Andra Day recognized as top actress in motion picture drama; ‘The Crown,’ ‘Schitt’s Creek’ among top TV honorees
San Diego-raised singer Andra Day earns Golden Globe for “The United States vs. Billie Holiday.”
With homebound nominees appearing by remote video and hosts Tina Fey and Amy Poehler on different sides of the country, a very socially distanced 78th Golden Globe Awards trudged on in the midst of the pandemic and amid a storm of criticism for the Hollywood Foreign Press Association, with top awards going to “Nomadland,” “Borat Subsequent Moviefilm,” “The Crown” and “Schitt’s Creek.”
The night’s top award, best picture drama, went to Chloé Zhao’s elegiac road movie “Nomadland,“a Western set across economic upheaval and personal grief. Zhao, the China-born filmmaker, became the first woman of Asian descent to win best director. She’s only the second woman in the history of the Globes to win, and the first since Barbra Streisand won for “Yentl” in 1984.
“‘Nomadland at its core for me is a pilgrimage through grief and healing,” said Zhao, accepting the awards remotely. “For everyone who has gone through this difficult and beautiful journey at some point in their lives, this is for you.”
In the night’s biggest surprise, Andra Day (“The United States vs. Billie Holiday”) won for best actress in a drama, besting Carey Mulligan (“Promising Young Woman”) and Frances McDormand (“Nomadland”).
Day was born in Washington state, but her family moved to San Diego when she was 3. As a young girl, she began singing at First United Methodist Church in Chula Vista and eventually graduated from the San Diego School of Creative and Performing Arts in Paradise Hills.
With a canceled red carpet and stars giving speeches from the couch, Sunday’s Globes had little of their typically frothy flavor. But they went on, nevertheless, with winners in sweats and dogs in laps, in a pandemic that has sapped nearly all the glamour out of Hollywood.
Facing scant traditional studio competition, streaming services dominated the Globes like never before — even if the top award went to a familiar if renamed source: Searchlight Pictures, formerly the Fox specialty label of “12 Years a Slave” and “The Shape of Water” now owned by The Walt Disney Co.
Amazon’s “Borat Subsequent Moviefilm” — one of the few nominated films shot partly during the pandemic — won best film, comedy or musical. Its star, guerilla comedian Sacha Baron Cohen, also won best actor in a comedy. Referring to Rudy Giuliani’s infamous cameo, Baron Cohen thanked “a fresh new talent who came from nowhere and turned out to be a comedy genius.”
“I mean, who could get more laughs from one unzipping,“he said.
Netflix, which came in with a commanding 42 nominations, won the top TV awards. “The Crown,” as expected, took best drama series, along with acting wins for Josh O’Connor (Prince Charles), Emma Corrin (Princess Diana) and Gillian Anderson (Margaret Thatcher). “The Queen’s Gambit” won best limited series, and best actress in the category for Anya Taylor-Joy. “Schitt’s Creek,” the Pop TV series that found a wider audience on Netflix, won best comedy series for its final season. Catherine O’Hara also took best actress in a comedy series.
Chadwick Boseman, as expected, posthumously won best actor in a drama film for his final performance, in the August Wilson adaptation “Ma Rainey’s Black Bottom” — a Netflix release. Boseman’s wife, Taylor Simone Ledward, tearfully, emotionally accepted the award.
“He would thank God. He would thank his parents. He would thank his ancestors for their guidance and their sacrifices,” said Ledward. “He would say something beautiful, something inspiring.”
Apple TV+ scored its first major award when a sweatshirt-clad Jason Sudeikis won best actor in a comedy series for the streamer’s “Ted Lasso.”
The NBC telecast began in split screen. Fey took the stage at New York’s Rainbow Room while Poehler remained at the Globes’ usual home at the Beverly Hilton Hotel. In their opening remarks, they managed their typically well-timed backand-forth despite being almost 3,000 miles from each other.
“I always knew my career would end with me wandering around the Rainbow Room pretending to talk to Amy,” said Fey. “I just thought it would be later.”
They appeared before masked attendees but no stars. Instead, the sparse tables — where Hollywood royalty are usually crammed together and plied with alcohol during the show — were occupied by “smoking-hot first responders and essential workers,” as Fey said.
In a production nightmare but one that’s become familiar during the pandemic, the night’s first winner accepted his award while muted. Only after presenter Laura Dern apologized for the technical difficulties did Daniel Kaluuya, who won best supporting actor for his performance as Black Panther leader Fred Hampton in “Judas and the Black Messiah,” get his speech in. When he finally came through, he wagged his finger at the camera and said, “You’re doing me dirty!”
Pandemic improvising was only part of the damage control for the Hollywood Foreign Press Association, which puts on the Globes. After the Los Angeles Times revealed that there are no Black members in the 87person voting body of the HFPA, the press association came under mounting pressure to overhaul itself and better reflect the industry it holds sway in.
This year, none of the most acclaimed Black-led films — “Ma Rainey’s Black Bottom,” “One Night in Miami,” “Judas and the Black Messiah,” “Da 5 Bloods” — were nominated for the Globes’ best picture award. With the HFPA potentially fighting for its Hollywood life, Sunday’s Globes were part apology tour.
Within the first half hour of the NBC telecast, members of the press association appeared on stage to pledge change.
“We recognize we have our own work to do,” said vice president Helen Hoehne. “We must have Black journalists in our organization.”