San Diego Union-Tribune

Gregory Peck filmed ‘MacArthur’ in San Diego

- GREGORY PECK DID HIS HOMEWORK FOR MACARTHUR HISTORICAL PHOTOS AND ARTICLES FROM THE SAN DIEGO UNION-TRIBUNE ARCHIVES ARE COMPILED BY MERRIE MONTEAGUDO. SEARCH THE U-T HISTORIC ARCHIVES AT SANDIEGOUN­IONTRIBUNE.NEWSBANK.COM.

Forty-five years ago, Gregory Peck, starring as a Gen. Douglas MacArthur, spoke to the Union’s James Meade between filming scenes from Universal Studio’s “MacArthur” around San Diego. Peck, a La Jolla native who co-founded the La Jolla Playhouse and became one of the world’s great film stars, died in 2003.

From The San Diego Union, Tuesday, Oct. 19, 1976:

By James Meade, Theater writer, The San Diego Union

“Ladies and gentlemen, Gen. Douglas MacArthur,” said a Universal Studio publicist, introducin­g Gregory Peck to a traveling press contingent in tones grander than his usual, “The bus leaves in five minutes.”

Peck, in full field dress as the title character, brought the aura and appearance of the controvers­ial general into the bus to which the press had retreated to escape the heat and dust of Camp Pendleton’s northern boondocks, which was last week’s location.

“Yes, I did some homework on this,” Peck said of the war life from Corregidor to near his death in the early 1960s. “I read a dozen books or so, looked at the available film and went to the national archives in the Pentagon. I’ve been absorbed in MacArthur for the past six months. It’s fascinatin­g. I feel very lucky to be playing the general.

“I’m not using his mannerisms nor speech patterns to any noticeable extent. We worked on that. I decided with the concurrenc­e of the producer (Frank McCarthy) and the director (Joseph Sargent) that I would not attempt an impersonat­ion.

“I hope I think along the lines that MacArthur thought. I hope to give an impression of that particular kind of aristocrat­ic, opinionate­d, brilliant, complex, vain, compassion­ate and tender-hearted authoritar­ian figure.

“The complexity of it is what makes it a great part. But I don’t do impersonat­ions. I don’t think they’re a good idea in a movie. I think a night-club impersonat­ion is good for five minutes and no more.”

Earlier, journalist­s had a look at the location with producer McCarthy, who also made “Patton.” The brown hills, simulating Korea, were crowned with Jeeps, tanks and other military hardware. Troops moved in the valleys and acrid smoke bellowed where shells had hit combustibl­e targets.

“We’re making this picture at Universal because ‘Patton’ was so successful at Fox,” said McCarthy, starting with a bit of ironic whimsy. “MacArthur” is a Richard D. Zanuck-David Brown production. Both Zanuck and Brown were fired as 20th CenturyFox executives in a studio shakeup.

“In researchin­g MacArthur, I found that he and Patton had three things in common,” McCarthy continued. “Both were military commanders. Both were very theatrical and flamboyant. Each was done in, to a degree, by his own excesses.

“Patton got into trouble slapping a soldier and refusing to de-Nazify Bavaria; MacArthur with his defiance of and insubordin­ation towards a President of the United States.

“Patton was characteri­zed. by his obscenity, profanity and many other things; MacArthur by his elegance, rhetoric and almost Valhalla kind of complex.

“We’re not going to mythicize MacArthur. There isn’t going to be any villain — MacArthur or Truman. We won’t attempt to build MacArthur up nor put him down. We don’t editoriali­ze in the movie. We report.”

Meanwhile, the continuati­on of Sargent’s war reminded producer McCarthy of an incident with his four-star technical adviser filming “Patton.” The retired general told McCarty he thought making a movie was much more difficult than fighting a war.

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