San Francisco Chronicle - (Sunday)

Jerry Hopkins — rock writer known for bio on Doors’ Morrison

- By Richard Sandomir Richard Sandomir is a New York Times writer.

Jerry Hopkins, an early music writer for Rolling Stone magazine whose many books included biographie­s of Jim Morrison, Elvis Presley and Jimi Hendrix — as well as a memoir of his affair with a transsexua­l prostitute — died Sunday in a hospital in Bangkok. He was 82.

His son, Nick, said the cause was heart failure. Hopkins produced an eclectic range of work that was largely about rock music but also included books and articles about exotic food, sex, travel and Hawaiian musical instrument­s.

But his most famous subject was undoubtedl­y Jim Morrison, who rose to fame as the charismati­c lead singer of the Doors and was only 27 when he died in Paris in 1971.

“Morrison was the most interestin­g of all the rock stars I met because he was the best conversati­onalist,” Hopkins told Post Magazine, published by the South China Morning Post, in 2013. “Something I always had trouble with at Rolling Stone was that I was interviewi­ng people whose avenue of communicat­ion was singing or playing an instrument. Why should anyone expect them to have a political opinion worth listening to?” Hopkins had a long interview with Morrison for Rolling Stone in 1969 in which the singer discussed the roots of his performing, his poetry, the chaos the Doors created in performanc­e, and his arrest for exposing himself at a Miami concert.

“If for some reason you’re on a different track from other people you’re around, it’s going to jangle everybody’s sensibilit­ies,” Morrison said in a meandering response to a question about an obscenity arrest in New Haven, Conn. “As long as everything’s connecting and coming together, you can get away with murder.”

Hopkins started writing Morrison’s biography after wrapping up “Elvis: A Biography” (1971), which he had dedicated to Morrison. A collaborat­ion with Danny Sugerman, the manager of the Doors (who died in 2005), the book was rejected by many publishers until a young editor at Warner Books took a chance on it.

Explaining his role in the writing of the book, Sugerman told the Los Angeles Times in 1980, “The book is still essentiall­y Jerry’s, but I tried to get a theme going through it: Jim’s testing the bounds of reality.” “No One Here Gets Out Alive” was a New York Times paperback bestseller for about a year and helped renew interest in the Doors. Director Oliver Stone bought the rights to the book and Hopkins’ research materials for his film “The Doors” (1991), which starred Val Kilmer as Morrison.

“I have mixed feelings about the movie,” Hopkins told Scott Murray, a Bangkok-based writer, in 2007. “Mainly that it was so one-sided. Jim was a drunken fool, but that wasn’t all he was. I knew Morrison. I knew him to be a man who had a sense of humor about himself.” And, he said, “Forty percent of the movie is sheer fiction.”

In 2013, Hopkins wrote an e-book about Morrison, “Behind Closed Doors,” which he called an epilogue to the biography.

He also wrote biographie­s of Hendrix, David Bowie and Yoko Ono, collaborat­ed with Don Ho on his autobiogra­phy and was hired by Raquel Welch as her authorized biographer. (No book ever came of that arrangemen­t.) And he wrote a book about the history of the Hawaiian dance the hula.

Elisha Gerald Hopkins was born on Nov. 9, 1935, in Camden, N.J., and grew up nearby in Haddonfiel­d. His father, Francis Brognard Hopkins, coowned a dry cleaning store, and his mother, Ruth May (Ginder) Hopkins, ran it.

Reading voraciousl­y as a youngster motivated him to write. He was fascinated by the newspaper dispatches of Ernie Pyle, a World War II correspond­ent who was killed by Japanese machine-gun fire in 1945 near Okinawa. “I decided that was what I wanted to do when I grew up: travel the world, meet interestin­g people, write about them and get paid for it,” he said in 2013.

After graduating from Washington and Lee University in Lexington, Va., he earned a master’s degree in journalism from Columbia University. He wrote for the Twin-City Sentinel in WinstonSal­em, N.C., the Village Voice in New York and the Times-Picayune in New Orleans. In the early 1960s, he was a writerprod­ucer for “PM East,” a television talk show hosted by Mike Wallace, and a talent booker for the syndicated “Steve Allen Show.”

“No title on the door, but my boss, Steve Allen, says I am his ‘vice president of left fielders,’ ” Hopkins wrote in the Los Angeles Free Press in 1966, referring to the oddball people he booked for the show. He recalled that one of them, future rock star Frank Zappa, pitched his talent to him by saying, “I play musical bicycle” and “I want to teach Steve how to blow bicycle.” For a segment in 1963, Zappa played the bike.

In 1966, Hopkins and a partner opened Headquarte­rs, a shop that sold drug parapherna­lia, in the Westwood section of Los Angeles. He was also writing freelance articles for various publicatio­ns, and in 1967 he responded to an ad in an early issue of Rolling Stone asking for submission­s of music reviews. He sent in his review of a Doors performanc­e at the Shrine Auditorium in Los Angeles, and the magazine ran it. Full-time work there soon followed, and in 1972 he became the magazine’s London correspond­ent.

In his roughly 20 years at Rolling Stone, he wrote about Presley in Las Vegas, apartheid in South Africa and Dr. Arthur Janov’s primal scream therapy. His interview subjects included Keith Moon, the notoriousl­y hard-living drummer of the Who, who recalled destroying a Holiday Inn room in Saskatchew­an: “I took out me hatchet and chopped the hotel room to bits. The television. The chairs. The dresser. The cupboard doors. The bed. The lot of it.”

Jann Wenner, the cofounder of Rolling Stone, said in a telephone interview: “Jerry was part of the founding generation, he’s one of the founding fathers, and he loved that. He was like a utility infielder — he could do anything.” Hopkins moved to Hawaii in 1976 and to Thailand in 1993. In his later years, he explored Asian life and culture.

In Honolulu, he met and fell in love with a transgende­r prostitute who had not had yet had sexual reassignme­nt surgery. In his book about their relationsh­ip, “The Ultimate Fish” (2014), Hopkins wrote that his obsession with rock music had been replaced by a different one.

“I believe the transgende­red are the most interestin­g, and the most courageous, people I’ve ever met and tried to understand,” he said.

In Thailand, he met and married Lamyai Sakhohlam, who survives him. They lived in Bangkok and on a farm near the Thailand-Cambodia border.

In addition to his wife and son, Hopkins is survived by his daughter, Erin Hendershot; his brother, Jack; and eight grandchild­ren. His marriages to Sara Cordell, Jane Hollingswo­rth (the mother of his two children) and Rebecca Erickson Crockett ended in divorce.

At the end of “No One Here Gets Out Alive,” Hopkins wrote that after hearing so many negative stories from friends, lovers and acquaintan­ces, he no longer found Morrison as endearing as he had at the outset.

“I never did figure out why I was so affected by Jim’s death,” he wrote. “Maybe it was the same reasons so many others were. The music got to me.”

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