San Francisco Chronicle - (Sunday)

“French Masters: Thibaudet & SaintSaëns Organ Symphony”:

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8 p.m. Friday, Feb. 14. $20-$165. Davies Symphony Hall, 201 Van Ness Ave., S.F. www.sfsymphony. org

Vinocour: We get to share the same passion for music, and even though we’re not close to each other onstage, we’re still experienci­ng these moments together.

Q: What is the worst thing about working together?

Valeri: We can stress out at the same time.

Vinocour: Some weeks are worse than others, and we can both be grumpy.

Q: What about on tour? Valeri: Touring is fun because we have a builtin pal. Now it will be fun because our whole family will be going. Our son, Luca, is 4, and we can’t leave him behind for a month.

Vinocour: Each of us is entitled to our own room, but we share a room, and we will use the other room for our son and our caretaker.

Q: Do either of you play on the Symphomani­acs softball team? Valeri: I do. Catcher and outfield. Vinocour: I did not grow up playing baseball and softball.

Valeri: He wants to watch his fingers (laughs).

Q: Who is the better performer? Vinocour: Certainly when it comes to standup comedy and improv, it is her. Valeri: I study with BATS, the Bay Area improv school. It is something I do on the side. It’s another creative outlet and a good way to learn to think on your feet, and adjust immediatel­y to what someone else is doing. That’s exactly what we do at work.

I feel like if I have a microphone in my hand, I am more comfortabl­e. Jonathan is more comfortabl­e with an instrument in his hand.

Q: Do you have a Valentine’s Day tradition?

Vinocour: A lot of years we have a concert so we can’t go out.

Valeri: Candy is a solid tradition. He always gives me candy.

Tim Day and Robin McKee

Instrument­s: Day, principal flute; McKee, associate principal flute

Residence: Mill Valley

Wedding date: Aug. 21, 1976

Years together: 48

Q: How did you meet?

McKee: At my grandfathe­r’s house in York, Pa., when I was 16 and he was 19.

Day: I knew her grandfathe­r because I played in a local orchestra with him since I was about 14. He was a mentor to me.

Q: How did you both land jobs in the same orchestra?

McKee: I was here first, 20 years before he auditioned.

Day: I was teaching at the San Francisco Conservato­ry (of Music) and arranging my schedule so one or the other of us could be with the kids.

Q: How do you make it work?

McKee: We love music.

Day: We love each other.

McKee: And we love the paycheck.

Q: How close in proximity do you sit on the stage?

Day: We usually don’t play at the same time. When I’m playing principal, she’s off, and when she’s playing principal, I’m off. If there is a piece with four flutes, she’s in the middle and I’m on the end.

Q: What is the best thing about working together?

McKee: The paycheck (laughs). We get to share the experience.

Q: What is the worst thing about working together?

McKee: Being together all of the time (laughs). He thinks it’s fine.

Q: Who is the better flute player?

McKee: You don’t ask anybody that question. Ever. It’s like asking who is better, Leonardo da Vinci or Michelange­lo?

Q: Have you ever heard of an orchestra with four married couples?

 ?? Liz Hafalia / The Chronicle ?? Above: Associate principal flute Robin McKee (left) met her husband, principal flute Tim Day, when they were teenagers in Pennsylvan­ia. At left: McKee in performanc­e at Davies Symphony Hall.
Liz Hafalia / The Chronicle Above: Associate principal flute Robin McKee (left) met her husband, principal flute Tim Day, when they were teenagers in Pennsylvan­ia. At left: McKee in performanc­e at Davies Symphony Hall.
 ?? Stefan Cohen 2016 ??
Stefan Cohen 2016

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