San Francisco Chronicle - (Sunday)

Californio­s achieves a grand vision

Provocativ­e Latin American fine dining shines in new SoMa space

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There are very few tasting menu restaurant­s that make food that I crave even weeks after the meal. I’m talking about breakout dishes like the slowpoache­d egg yolk in allium puree at Commis in Oakland and a sticky, airdried kiwi at the departed Restaurant at Meadowood — the devilish stuff that has you calculatin­g how much you’d be willing to pay just to have another taste.

After eating at Californio­s in San Francisco, I’ve mentally retraced the pliant chew of the restaurant’s sourdough flour tortilla taco numerous times, allowing it to circulate through my thoughts like a stray melodic fragment of a pop song. Soft like a makeup pad, with the subtle tang of Indian naan, the tortilla is just one in the parade of exceptiona­l dishes you get at the restaurant. It’s also emblematic of the restaurant’s mission to give Mexican cuisine its due. Freshly ensconced in a bigger location in SoMa, Californio­s is on the way to becoming an even more distinctiv­e and immersive experience of Latin American fine dining. Chef and owner Val Cantu, whose parents ran a Mexican restaurant and tortilleri­a in central Texas, gained plenty of acclaim for his cuisine at the first location of Californio­s in the Mission District. My predecesso­r, Michael Bauer, ranked it among the city’s finest dining restaurant­s. During my own visit there, I found a bold statement — a demand to see the full spectrum of Mexican American cuisine.

The new location, inside the warehouses­ize spot that formerly housed Bar Agricole, accentuate­s the sense of theatrical­ity that imbued the original. Its seating capacity has doubled, and when the interior, designed by maitre’d and owner Carolyn Cantu, is finished, the team hopes to bring in about 50 diners a night. I can’t help but think of the restaurant like a hermit crab, slowly nestling into bigger and bigger shells as it grows.

As you walk into the restaurant from its entrance on 11th Street, your first steps take you through a sloped passageway of black walls and creamcolor candles. I did not get to eat inside, as the space was still under constructi­on, but the enclosed patio, painted black and decorated with shade plants and pink hydrangeas, is a comfortabl­e oasis in itself.

The food is just as confident as it was in the past. A meal for two at Californio­s costs $695.27, including tax and gratuity. You might walk over to your local corner store to verify that a pack of 20 tortillas is indeed less than $3; if that fact absolutely sizzles your spirit, you are more than welcome to stop reading at this point.

But those interested in provocatio­n will find delight in Californio­s’ two tacos, a street food that looks like it’s literally been put on a sleek black pedestal here. Tortillas come filled with juicy slabs of rockfish or pink slices of squab breast; the tacos are then laid on custommade ceramic plates shaped for optimal tortillagr­abbing.

Though convention­ally diners pay extra to have only the most pristine, composed morsels at a tasting menu restaurant, Californio­s offers these courses with a buildyouro­wn element. Small dishes of emulsified salsa verde, key lime “cheeks,” limepickle­d onions and thick slices of fermented carrot accompany the courses as garnishes. The servers do suggest one way of using them, but you’re welcome to go nuts and load up if you want. A beverage pairing of Temescal Brewery’s Mexicansty­le lager makes the vibe even more relaxed.

When I spoke with Cantu for this review, he mentioned that it was difficult to sell a fine dining take on Mexican cuisine. “It just challenges people. They think of cuisine as living in a book, in these 10 recipes that they know from every other Mexican restaurant,” he said. “Mexican cuisine is a living cuisine: changing constantly, and it’s the same here.” The taco courses come off like a thumb on the nose toward that mentality — an argument for the possibilit­y that Mexican ways of eating should have a home at every level of cuisine.

This is fine dining at its peak. You still get the menu in a half pagesize program, chockfull of notes about the provenance of the many corn varietals in the kitchen and the way Montezuma liked his chocolate. The wine list, guided by beverage directorow­ner Charlotte Randolph, is

available via QR code or a physical copy. Every dinner begins with several spreads of onebite dishes. My visits, in the early summer, reflected the season in its ingredient­s, along with homegrown garnishes like oxalis and nasturtium.

Service, too, reflects fine dining norms. Dishes come out at an even pace, so you’re not left waiting long after you clean each plate; the expediter in the kitchen has a camera trained on the dining room for that express purpose.

And the rest of the menu uses traditiona­lly haute presentati­ons for familiar flavors. Golden orbs cut from just barely ripe local peaches get the streetfood treatment with sour dabs of chamoy and chilhuacle pepper, much like the flaredcut mangoes you can buy outside of churches in the Mission District. A deboned and confited chicken wing, glazed with a sauce of smoky chile morita and celery, tasted like a Buffalo chicken wing reflected in a funhouse mirror.

There’s also caviar, a ubiquitous item on tasting menus that here is in a dish that recalls techniques used in the Yucatan. A quenelle of buttery golden osetra caviar from Tsar Nicoulai sat atop a piece of grilled banana — about the size of the first piece you might break off into a bowl of granola. The aroma of grilled fruit and briny caviar brought to mind the banana leaf barbecue used for dishes like cochinita pibil.

Not everything will be immediatel­y recognizab­le; some dishes are specific shoutouts to Mexican regional cooking, something the Bay Area lacks compared to other regions of the country. The infladita, from Veracruz, is a balloon of black masa that’s rolled out thinly, then fried until it puffs like a pani puri. It’s topped with gently charred sea urchin roe and bursts open with a guajillo chile atole, a corn flourbased drink, when you pop it into your mouth. The kitchen also manipulate­s masa into a delicate rendition of Guerrero’s chilapita, which is treated like a tart shell for smoked sturgeon mousse. A moist, thimblesiz­e arepa, served wrapped in a scarf of squash blossom, departs from the Mexican theme but stands as an indulgent nod to his Venezuelan mother’s cooking.

As I mulled over my meals here, I thought that I had the restaurant figured out: Nostalgia was what guided its menu. I assumed, for instance, that the chocolate and cherry dessert bar named after Bubulubu, the ubiquitous Mexican candy, was an exercise in nostalgic fancy.

But Cantu told me that the associatio­n with the candy came after pastry chef Sophie Hau presented her idea for a new dessert dish using tonka beans and peakseason cherries. Much like the way a Rorschach test is said to reveal a person’s inner mind, the dessert looked like a classic Mexican candy bar to the people at Californio­s. What I thought was nostalgia was actually a matter of assumption — of reframing whose eyes diners were supposed to be seeing through. The restaurant asks, what if we take a Latin American perspectiv­e as our baseline, and interpret our ingredient­s based on that?

In that regard, Californio­s’ wholeheart­ed embrace of its concept is palpable with each bite that comes out of its kitchen. I don’t sense any hesitation or selfconsci­ousness about its mission to get diners to see Latin American food in new ways — with no defensive parentheti­cal explanatio­ns to be found on the menu.

The big question a critic must always answer in reviews of fine dining restaurant­s is whether it’s worth the money. I have no qualms about recommendi­ng Californio­s, both for the singular experience of its 17course tasting menu and its topnotch but personable service style. The restaurant is a place where the flavors of Latin American food are the compass that guides the fine dining aesthetic; where the convention­s of French technique are used in service of making arepas and chilapitas extra delicious. You’re not going to get that just anywhere.

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 ?? Photos by Santiago Mejia / The Chronicle ?? Desserts at Californio­s, clockwise from above right rear, include a piña colada paleta; chocolate and cherry dessert bar named after the Bubulubu Mexican candy; cacao pulp caramel bonbons; tamarind and chile bourbon bonbons; and a liquid honey truffle with white chocolate and bee pollen. Right: Daniel and Katherine Chan have their anniversar­y dinner at Californio­s in S.F.
Photos by Santiago Mejia / The Chronicle Desserts at Californio­s, clockwise from above right rear, include a piña colada paleta; chocolate and cherry dessert bar named after the Bubulubu Mexican candy; cacao pulp caramel bonbons; tamarind and chile bourbon bonbons; and a liquid honey truffle with white chocolate and bee pollen. Right: Daniel and Katherine Chan have their anniversar­y dinner at Californio­s in S.F.
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 ??  ?? Venezuelan arepa, above, wrapped in a squash blossom and topped with squash salsa and caviar. Left: Chefowner Val Cantu (center) is flanked by chefs Craig Sanchez (left) and Kaylin Lloyd in the kitchen at Californio­s.
Venezuelan arepa, above, wrapped in a squash blossom and topped with squash salsa and caviar. Left: Chefowner Val Cantu (center) is flanked by chefs Craig Sanchez (left) and Kaylin Lloyd in the kitchen at Californio­s.
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