San Francisco Chronicle - (Sunday)

Their creations have the most meaning of all possible legacies

- By Tony Bravo objets, Tony Bravo is a San Francisco Chronicle staff writer. Email: tbravo@sfchronicl­e.com Twitter: @TonyBravoS­F

I didn’t know the Chinesebor­n Oakland artist Hung Liu personally, but her death on Aug. 7 came as a shock to me, as it did to much of the Bay Area art world. I spoke to her briefly at the opening celebratio­n of her exhibition “Hung Liu: Golden Gate” at the de Young Museum on July 14, and I would never have guessed that pancreatic cancer would take this gracious, eloquent woman a few weeks later.

After Liu’s death, her de Young exhibition became a place where I would stop and pay my respects to her. I can’t see the exhibition’s 28-foot-tall focal work, “Resident Alien II,” without saying a prayer of thanks for the paintings and vital discussion­s about immigrant identity she contribute­d. As much as I resented the timing of her death taking away the triumph of “Hung Liu: Portraits of Promised Lands,” her exhibition at the National Portrait Gallery in Washington, D.C. — the first solo show by an Asian American woman at the museum — I am grateful that the free de Young show is here now and a place where people can remember her.

I was raised in an Italian Catholic household, and sometimes in my family, the physical things people leave behind after death — heirlooms, sentimenta­l even everyday items — would take on added meaning and significan­ce. We can be a superstiti­ous people in this respect (“Don’t touch Nonnie’s good china!”), but we’re also deeply sentimenta­l in a positive way. Holding onto these items is a way we keep the people we lose alive — even if it’s only on the special occasions when Nonnie’s dishes come out of the hutch.

No items are as heavily endowed as the work of an artist. While in their lifetimes a painting, sculpture or photograph may represent an idea or a moment the artist is trying to capture, in death they become a legacy. In the aftermath of an artist’s passing, their work becomes a kind of altar to their memory not dissimilar to the ones that people make in celebratio­n of Día de los Muertos.

That’s why my initial reaction when we lose an artist is to seek out their work.

In a year that has seen so many local losses — sculptor and UC Davis Professor Manuel Neri, photograph­er Robert Altman, conceptual photograph­er Lew Thomas, gallerist Marsha Garland, Bay Area Funk art movement founder William T. Wiley, artist and Spatsa Gallery founder

Dimitri Grachis — I’ve had too many opportunit­ies for these visitation­s.

Seeing their work does not take away the pain of loss. But sometimes a painting, sculpture or photograph can be the altar we need the most in our grief.

Among the most celebrator­y, colorful and festive days of the year, Dia de los Muertos has become a favorite holiday for many families around the Bay Area. Often associated with San Francisco’s Mission District and Oakland’s Fruitvale neighborho­od, this Latino tradition of honoring deceased ancestors, and welcoming them back into our lives as memories, has deep roots.

Revel in creating an inside your living room, decorating your work space with sugar skulls or attending a parade. Here’s what you need to know about the traditiona­l Mexican celebratio­n:

What is Dia de los Muertos?

Dia de los Muertos (Day of the Dead) is a twoday celebratio­n in which the living symbolical­ly honor deceased family members, friends or icons with various acts, traditions and Though it originated in Mexico, the holiday is now commonly celebrated worldwide, especially throughout Latin America.

The holiday traditiona­lly happens in three respective progressio­ns: Dia de los Angelitos (Spirits of the Children), Dia de los Difuntos (Spirits of the Adults) and Dia de los Muertos (Spirits of all the Dead). During these windows of time, it is believed that the spirits of the deceased are reunited with their living visitors and celebratio­ns commence.

The festive spirit of Dia de los Muertos was famously showcased in the 2017 Pixar film “Coco,” which narrates the journey of a young Mexican boy navigating a playfully animated underworld in search of his grandfathe­r. When is Dia de los Muertos? This holiday is traditiona­lly observed on Nov. 1 and Nov. 2 throughout Latin America. A week of activities usually leads up to these culminatin­g days.

What traditions are associated with the holiday?

The most common traditions include painting sugar skulls, creating giving tokens of remembranc­e, drinking and eating, and displaying photos of the deceased loved ones. The holiday is celebrated in a variety of ways depending on the region. In Oaxaca, Mexico, a week of street parades leads up to Nov. 2, featuring flamboyant­ly costumed groups who ride in floats, play music, crack whips, set off fireworks and pass out candy and mezcal to onlookers. In the evening, the groups march to local cemeteries and congregate publicly with families, who visit the graves of lost loved ones to create their and eat street foods like tlayudas (giant, open-faced tortillas topped with various ingredient­s, similar to a “Mexican pizza”) and esquites (steamed corn kernels, Tapatío, lime and sour cream mixed in a warm cup).

What are some Bay Area-specific traditions related to Dia de los

Muertos?

Though there are no distinct Bay Area traditions related to Day of the Dead, regional celebratio­ns associated with the holiday occur yearly in Oakland’s Fruitvale and San Francisco’s Mission District — where large population­s of Mexicans and Central Americans have historical­ly resided.

These celebratio­ns include parades, music, face painting, Indigenous cultural dances, street foods, local merchants and of course,

Though many events and celebratio­ns were canceled last year due to COVID, 2021 will feature the return of more outdoor and indoor events, from sugar-skull-making classes to an “avenue of altars.” Virtual events and activities are also available throughout October.

What are

ofrendas? Ofrendas are temporary altars created to honor loved ones who have died. The offerings include flowers, bottles of alcohol, money or miscellane­ous objects, and forms of cultural currency.

The altars — which range in size and extravagan­ce —are usually showcased inside homes, at grave sites or other public spaces.

How is Dia de los Muertos different from Halloween?

This Mexican holiday’s proximity and likeness to Halloween in the U.S. often draws comparison­s between the two. However, the events are quite different and originated in different parts of the world.

Halloween is derived from an ancient Celtic tradition, known as Samhain, when communitie­s would light large bonfires to chase away evil spirits. This eventually evolved into the modern celebratio­n of costume wearing, trick-or-treating and pumpkin carving that happens every Oct. 31.

Although the two holidays differ, they overlap in their concern with spiritual afterlife occurring every fall.

Bay Area celebratio­ns

“Departera: The Road to the Afterlife”:

Enjoy an on-demand recording of “Departera: The Road to the Afterlife” at the iconic Mexican Heritage Plaza Theater in San Jose. The play is written by Evelina Fernández of Teatro Visión, with original musical accompanim­ent by Russell Rodríguez. Inspired by real stories gathered from the greater Bay Area community here, “Departera” is a witty, modern take on Dia de los Muertos featuring inspiring music, touching stories and diverse characters.

Oakland Museum of California’s Dia de los Muertos programmin­g:

In collaborat­ion with OMCA’s El Dia de los Muertos Volunteer Community Committee, this pivotal Oakland institutio­n plans to host an in-person

exhibit, hands-on activities and instructio­nal videos. Among the events, hop online to access interviews with Latino community members and

OMCA curators, as well as a

instructio­nal video. The entire curriculum is available in English and Spanish. A culminatin­g online performanc­e for young children will be available to watch on demand through June.

Oakland Dia de los Muertos festival:

Oakland’s Internatio­nal Boulevard is set to come alive for the 26th anniversar­y of the city’s Dia de los Muertos celebratio­n. The free outdoor festival brings more than 100,000 people to the vibrant, culturally rich Fruitvale neighborho­od to enjoy live music; familyfrie­ndly games, rides and activities; traditiona­l Latin American artisans; and altar artistic installati­ons created by community members paying homage to los Muertos.

COVID-19 vaccines and “ask a doctor” booths will be included in this year’s offerings. There will also be a lowrider showcase, Aztec dances, community resources and “healing activities.” The events are BART- accessible and located at or near the Fruitvale BART Station. Join in on one of the most iconic ways to celebrate Day of the Dead in Northern California.

Dia de los Muertos at Sonoma Community Center:

The Sonoma Community Center’s Dia de los Muertos programmin­g offers a diverse range of in-person classes. From ceramic making (the Zapotec spiritual animals that are meant to guide our souls into the afterlife) to Aztec dance classes, workshops will be provided for Bay Area residents.

There will also be a gallery of related artwork, as well as a free public altar lighting ceremony the evening of Monday, Nov. 1. Come for the paint, stay for the skulls.

Museum of Sonoma County’s Dia de los Muertos:

Experience artwork and altars created by local artists, students and collectors. Featured artists include Cecilia Diaz Cortez, Tracy Ferron, Nathan Gomez, Rubén Guzmán, Alejandro Salazar, the Urena family and students from Luther Burbank Elementary School in Santa Rosa.

Other activities and events throughout the month will include Community Art Days, which will feature the creation of community altars.

 ?? Drew Altizer ?? Hung Liu speaks at the opening of “Hung Liu: Golden Gate” at the de Young Museum. She passed away only a few weeks later.
Drew Altizer Hung Liu speaks at the opening of “Hung Liu: Golden Gate” at the de Young Museum. She passed away only a few weeks later.
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 ?? Paul Chinn / The Chronicle 2017 ?? A Dia de los Muertos display is presented in the window of the Luz de Luna gift shop in San Francisco’s Mission Districts. Orange and yellow marigold blossoms are traditiona­lly used in Dia de los Muertos celebratio­ns.
Paul Chinn / The Chronicle 2017 A Dia de los Muertos display is presented in the window of the Luz de Luna gift shop in San Francisco’s Mission Districts. Orange and yellow marigold blossoms are traditiona­lly used in Dia de los Muertos celebratio­ns.
 ?? Brittany Hosea-Small / Special to the Chronicle 2018 ?? Mya Gunselman, 3, has her face painted during the Mission Dia de los Muertos Fiesta in 2018.
Brittany Hosea-Small / Special to the Chronicle 2018 Mya Gunselman, 3, has her face painted during the Mission Dia de los Muertos Fiesta in 2018.
 ?? Carlos Avila Gonzalez / The Chronicle 2016 ?? Maricela Flores Dominguez wears a skull headdress during a 2016 Dia de los Muertos celebratio­n in the Fruitvale neighborho­od of Oakland.
Carlos Avila Gonzalez / The Chronicle 2016 Maricela Flores Dominguez wears a skull headdress during a 2016 Dia de los Muertos celebratio­n in the Fruitvale neighborho­od of Oakland.
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