San Francisco Chronicle - (Sunday)

Esteemed photo museum to shut its doors

- By Sam Whiting Sam Whiting is a San Francisco Chronicle staff writer. Email: swhiting@sfchronicl­e.com Twitter: @SamWhiting­SF

Pier 24 Photograph­y, the vast museum displaying the collection of its founder, Andy Pilara, announced late last month that it will close when its lease with the Port of San Francisco expires in July 2025.

In a statement, Pilara said the Pilara Foundation, which built out the abandoned pier near the Bay Bridge and opened as a quiet haven for the photograph­ic arts in 2010, will shift its focus to organizati­ons in the fields of health care research, arts and education. Pilara noted that the closure was precipitat­ed by a long battle over a lease extension.

“After struggling for five years to secure a new lease with the San Francisco Port Commission ... its ultimate decision to triple our rent definitely informed our decision to close,” Pilara said in a statement. “Rather than operating with a significan­tly higher annual budget, we believe that money could be better utilized by local organizati­ons.”

Port Director Elaine Forbes said in a statement that the agency had a “successful partnershi­p with the Pilara Foundation over the years,” and that if the foundation chooses to let its lease expire, “we will be sorry to see them go and hope they continue to find ways to share their unique and inspiring collection with the public.”

Pier 24 is one of the world’s largest venues dedicated to viewing photograph­y. Since its inception, admission has always been free to view the comprehens­ive collection of more than 5,000 works by 500 photograph­ers, all purchased by the Pilara Foundation.

The gallery space is nearly 27,000 square feet, and attendance has always been by reservatio­n and limited, to provide the viewer a serene experience

“Rather than operating with a significan­tly higher annual budget, we believe that money could be better utilized by local organizati­ons.”

Andy Pilara., museum founder

while looking at the Pilara collection, along with other private collection­s on loan, like that of Bob and Randi Fisher.

The staff mounts only one exhibition per year, while also co-sponsoring the Larry Sultan Visiting Artist Program with the California College of the Arts. Pier 24 has also published 20 books on photograph­y.

At the end of 2019, the Port of San Francisco served an eviction notice on the exhibition space for failure to pay $1.3 million in delinquent rent accumulate­d during its 10-year lease, plus two years of monthto-month extension.

Pier 24 countered that it had been inadequate­ly credited for the $14 million cost to build out the aging wooden pier. Attempts to negotiate a settlement failed, and the issue appeared to climax when the port ordered the gallery to vacate the premises by January 2020.

A deal was eventually worked out, with terms that called for just under $93,000 in base rent, or $3.40 per square foot for the 27,311 square feet of space. Pier 24 received $5.5 million in rent credits for improvemen­ts to the pier. This breaks down to $3.19 per square foot, reducing its monthly costs to 21 cents per square foot, or $5,735 a month. The deal was for five years, backdated to the beginning of negotiatio­ns.

Part of the deal also stipulated that Pier 24 would continue its school and community outreach program. After a COVID-19 induced closure, it reopened in July 2021, with its 10th anniversar­y exhibition. It opened a second part of this show, titled “Looking Forward,” which will be up until the end of the year.

Nothing yet is planned to follow it, but there will be a final exhibition, said Pier 24 Director Chris McCall.

It is not yet known what will happen to the full time staff of six, or the collection or the pier that houses it on the Embarcader­o.

 ?? Santiago Mejia/The Chronicle 2021 ?? Keith Silva views “The Little Screens” by Lee Friedlande­r at Pier 24 Photograph­y, which opened on an abandoned pier it restored.
Santiago Mejia/The Chronicle 2021 Keith Silva views “The Little Screens” by Lee Friedlande­r at Pier 24 Photograph­y, which opened on an abandoned pier it restored.

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