San Francisco Chronicle

Dresher in Berkeley

-

Paul Dresher’s new commission­ed piece for the Berkeley Symphony, which premieres Oct. 4 at Zellerbach Hall on a season-opening bill with Beethoven’s Symphony No. 7 and Ives’ “The Unanswered Question,” was originally titled “Concerto for Invented Instrument­s and Orchestra.” Now it’s “Concerto for Quadrachor­d and Orchestra.” The unbounded Bay Area composer, performer and instrument maker decided to forgo the Hurdy Grande — his version of the hand-cranked hurdy-gurdy — and focus on the 15-foot, four-string instrument that can be bowed, plucked and banged with equally fruitful results.

“I know a lot more about the quadrachor­d, and I felt it was more richly flexible in terms of working with the orchestra,” said Dresher, 61, who was putting finishing touches on the brass parts of his new 27-minute work before the first rehearsal last week.

The three-part work, which contrasts and merges the sounds produced by the untempered tuning of the quadrachor­d and the orchestra’s convention­al Western tuning, features the composer, a fluid improviser, stretching out in the final section.

“For the whole last movement, I’m hammering on this sucker with marimba mallets,” Dresher said of his beloved quadrachor­d, which he describes as a mix of harp and electric guitar. It took him several months to find the best way of writing orchestral parts in the quadrachor­d’s tuning, “to find a way for the orchestra to play what I play naturally. Each of our sound worlds is rich. I felt we could find some common ground and create new sound worlds.”

In the slow second movement, “Tale of Two Tunings,” Dresher plays a 14-bar melody that’s looped electronic­ally and developed by the orchestra. “It starts in equal temperamen­t, moves way into outer space, then comes back. At the end of the movement, I put the two tunings flat up against each other, and there’s some wonderfull­y out-of-tune beating,” adds the composer, who mentions Balinese music. The last section “jettisons all that concern about tuning, and we just slam it! It’s a very high-energy mode.”

Info at www.berkeleysy­mphony.org.

Newspapers in English

Newspapers from United States