San Francisco Chronicle

ZinZanni closer to new home

- By Robert Hurwitt Dominic Arizona Bonuccelli Robert Hurwitt is The San Francisco Chronicle’s theater critic. E- mail: rhurwitt@ sfchronicl­e. com Twitter: @ RobertHurw­itt

It’s too early to order your cocktails with contortion­ists or chicken a la ringmaster just yet, but Teatro ZinZanni — the premiere circus withdinner experience — took a big step in its quest to replant its whimsical antique spiegelten­t on the Embarcader­o.

More than three years after the popular show packed up its tent home of 11 years at Piers 27- 29, to make way for the America’s Cup and the new cruise ship terminal, the San Francisco Board of Supervisor­s gave it a key approval this week to move ahead with its plans to build a new, permanent home at Broadway and Embarcader­o.

The unanimous vote could be very good news for ZinZanni’s legion of admirers, especially its many repeat customers who marked special occasions or entertaine­d out- of- town guests with its generally top- notch acrobatic, musical and clown acts amid a tasty five- course meal. But it’s still a little early for the company’s enthusiast­ic announceme­nt, emblazoned on its website, that its “Dream to Return to San Francisco Becomes a Reality.” This city is as famous for its permitting and constructi­on delays as it is for the quality and diversity of its entertainm­ent options.

As ZinZanni founder Norm Langill says, the board’s unanimity demonstrat­es the breadth of support the project has in the community. Zin- Zanni, based in Seattle, and its partner Kenwood Investment­s, a San Francisco private- equity real estate firm, announced in October they are planning to build an LEEDcertif­ied four- story, 40foot- high hotel on Seawall Lot 324 ( currently a parking lot), with a glass- walled gazebo for ZinZanni’s 100- year- old Belgian spiegelten­t as well as an adjoining outdoor cafe and public park. The hotel will help underwrite the economics of the project as well as provide housing for the circus artists.

The supervisor­s approved a “sole source” agreement with the Port Commission, which owns the land, allowing the port to negotiate the deal with ZinZanni and Kenwood without requesting proposals from other parties. Given the location — at least one previous bid for the property was shot down because it exceeded the area’s 40- foot zoning — and the skyrocketi­ng real estate market, the decision is a huge boost for the project.

There are permitting processes, negotiatio­ns and other steps still to come before constructi­on is likely to begin, let alone an opening- night set. But the impressive range of North Beach, Chinatown, Telegraph Hill and Barbary Coast neighborho­od and community groups supporting the project speak well for its chances. That’s good news not only for ZinZanni’s old fans and the many local artists and artisans the show employs, but for many who haven’t had the chance to experience its unique mix of circus and cabaret acts with dinner. There’s nothing else quite like it.

 ??  ?? Teatro ZinZanni is trying to land a deal to pitch its
spiegelten­t permanentl­y on the Embarcader­o.
Teatro ZinZanni is trying to land a deal to pitch its spiegelten­t permanentl­y on the Embarcader­o.

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