San Francisco Chronicle

HOW CHINESE HOSPITAL ACCOMPLISH­ED THE IMPOSSIBLE

- LINKS YOU’LL USE: • www.ChInesehos­pITAl-sE.orF

I t took a village—literally—to complete what’s been called “the most logistical­ly challengin­g ground-up hospital ever built.”

Not only did Chinese Hospital’s new Patient Tower get built, it got built on budget, on time, and with no recordable injuries. Most importantl­y, during the $180 million constructi­on project, nearby markets received deliveries, the elementary school and church held classes and services, and the bustling hub we know as Chinatown barely skipped a beat.

Typically, a hospital constructi­on project of this size would have a large staging area for equipment and materials. In Chinatown, constructi­on crews had four parking stalls.

The new hospital sits adjacent to the existing Chinese Hospital annex, enclosed by residentia­l units, an elementary school, and meat and produce markets. Space was tight. Constructi­on also could not interrupt Jackson Street, a thoroughfa­re for deliveries and shopping.

While the constructi­on team solved these logistical challenges, a team of architects, engineers, and designers worked toward Chinese Hospital’s multifold vision: to create a structural­ly sound building that meets seismic regulation­s and accommodat­es the latest healthcare technology.

The structure also had to honor and reflect Chinese culture while facilitati­ng a healing environmen­t. “It’s definitely not a sterile environmen­t,” says Michele Malone, Director of Facilities for Chinese Hospital. “It feels very open for such a compact footprint.”

A design for the community

Mei Mei Chan, principal of MEI Architects, the architect of record for the project, says that, architectu­rally, their goal was to provide an “efficient, contempora­ry hospital for the community. At the same time, we wanted to embrace the Chinese community with this simple, elegant building.”

The exterior is simple in style and structure; yet look closely and you’ll see Chinese medallions embedded into concrete panels. Cultural elements are etched into sandblaste­d glass panel windows. Mural-sized black and white photos of Chinese Hospital’s original 1925 building and founders rise vertically along one wall, a nod to its legacy in the community.

One of the hospital’s most striking features— a colorful dragon made of red, yellow, blue, and green gem-like tiles—occupies another wall.

The dragon is the result of a capital campaign where donors could purchase tiles to help raise money. “When we unveiled him at the Grand Opening, on April 18, the building came alive,” says Malone. “We plan to build a phoenix and a pearl next to him because so many people came forward to buy tiles [after seeing the finished dragon].”

Conscious constructi­on

From sky-blue ceilings to amber-hued floors, Chinese Hospital celebrates its community in every detail. Using all union labor, DPR Constructi­on followed this vision from day one. “The City of San Francisco was initially very concerned about how our work would affect the residents, merchants, and tourism,” says Project Superinten­dent Jerry McKinley. “We worked with the city to illustrate that we would appreciate Chinatown and what it is.”

The fresh fish, meat, and produce markets across from the hospital receive deliveries up to three times a day. Missed deliveries could put these small shops out of business. DPR coordinate­d constructi­on traffic via an electronic scheduling system, and kept the delivery lane open. “Some of the contractor­s even helped [vendors] push produce where it needed to go,” says Malone. “It was a true community effort.”

When DPR had to close a sidewalk, Chinese Hospital and the Chinatown Community Developmen­t Center worked together to hire Cantonese-speaking ambassador­s. For three years the ambassador­s kept residents up to date on the constructi­on process and helped them cross the street safely. “With any project, we have to be aware of our surroundin­gs,” says McKinley. “But for this project, we were especially concerned about the store owners, the school, and the residents all in this tight space.” Interior design principal Kai-Yee Woo and her team at Kai-Yee Woo & Associates chose textures, colors, shapes, and images that reflect the heritage of Chinese Hospital’s patients, families, and staff. Woo based color schemes on Chinese semiprecio­us stones and celadon color porcelain. Chinese wallcoveri­ngs that feature the Prunus flower, a symbol of beauty and toughness, grace patient rooms. Windows open to spectacula­r views of the Bay Bridge, Coit Tower, and beyond.

The meditation room features a wallcoveri­ng of a carp pond. “The carp is a symbol of longevity,” says Woo. “It represents the positive force of nature.” The pond contains eight carp—eight is a symbol of prosperity. Woo also employed curves into the nurses’ station and a large yellow circle on the surgery room floor. Both have a purpose. “The circle represents harmony and unity,” says Woo. “The yellow circle symbolizes success and completene­ss.”

Interior and exterior signs, as well as donor plaques and lightboxes, all hint at Chinese symbolism. ImageGroup USA, which designed the dragon and interior signage and created themes for each of the hospital’s eight floors, expanded on Woo’s design and the hospital’s vision of honoring the Chinese community. “We made sure to stay sensitive to Chinese culture and present beautiful designs as a thank you to the donors,” says ImageGroup design consultant Rebecca Redmon.

The trees and bamboo on the emergency room floor represent strength and longevity during harsh times. Butterflie­s and dragonflie­s on the second floor represent happiness, rebirth, and purity. The pagodas on the fifth floor honor the original hospital’s pagoda fundraiser, launched to make up for losses the hospital incurred treating patients for free.

Even room and wayfinding signs have meaning. “There was a lot of emotion when the original building had to be torn down,” says Redmon. “We chose simple features that picked up on the architectu­re of the existing building to create signs with a slight remembranc­e of the original hospital.”

After many years of hard work, design and staff changes, endless permit approvals and logistical puzzles, the new Chinese Hospital opened its doors to a huge crowd of supporters. “To see the elderly community members that have a history with the hospital over the past 70 years find their names on a dragon tile as a shrine to their beliefs…that emotion was incredible,” says Mary McGrain, ImageGroup’s on-site project manager. “It was like a big hug.”

Nearly everyone on the constructi­on and design teams became immersed in the community while working on the project. “A lot of people didn’t think we’d get it done in time,” says Malone. “But we never lost time. We kept moving forward and turned challenges into opportunit­ies. That was our philosophy, and it takes a dedicated team to accomplish that.”

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