San Francisco Chronicle

GENE WILDER

1933-2016

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Comic actor had unforgetta­ble roles in movies such as “Willy Wonka” and “Young Frankenste­in.”

LOS ANGELES — Gene Wilder, the frizzy-haired actor who brought his deft comedic touch to such unforgetta­ble roles as the neurotic accountant in “The Producers” and the deranged animator of “Young Frankenste­in,” has died. He was 83.

Mr. Wilder’s nephew said Monday that the actor and writer died late Sunday at his home in Stamford, Conn., from complicati­ons from Alzheimer’s disease.

Jordan Walker-Pearlman said in a statement that Mr. Wilder was diagnosed with the disease three years ago but kept the condition private so as not to disappoint fans.

“He simply couldn’t bear the idea of one less smile in the world,” Walker-Pearlman said.

Mr. Wilder started his acting career on the stage, but millions knew him from his work in the movies, especially his collaborat­ions with Mel Brooks on “The Producers,” “Blazing Saddles” and “Young Frankenste­in.” The last film — with Mr. Wilder playing a California-born descendant of the mad scientist, insisting that his name is pronounced “FRAHN-ken-shteen” — was co-written by Brooks and Mr. Wilder.

“One of the truly great talents of our time,” Mel Brooks tweeted. “He blessed every film we did with his magic & he blessed me with his friendship.”

With his unkempt hair and big, buggy eyes, Mr. Wilder was a master at playing panicked characters caught up in schemes that only a madman such as Brooks could devise, whether reviving a monster in “Young Frankenste­in” or bilking Broadway in “The Producers.” Brooks would call him “God’s perfect prey, the victim in all of us.”

But he also knew how to keep it cool as the boozy gunslinger in “Blazing Saddles” or the charming candy man in the children’s favorite “Willy Wonka and the Chocolate Factory.” His craziest role: the therapist having an affair with a sheep in Woody Allen’s “Everything You Wanted to Know About Sex.”

He was close friends with Richard Pryor and their contrastin­g personas — Mr. Wilder uptight, Pryor loose — were ideal for comedy. They co-starred in four films: “Silver Streak,” “Stir Crazy,” “See No Evil, Hear No Evil” and “Another You.” And they created several memorable scenes, particular­ly when Pryor provided Mr. Wilder with directions on how to “act black” as they tried to avoid police in “Silver Streak.”

In 1968, Mr. Wilder received an Oscar nomination for his work in Brooks’ “The Producers.” He played the introverte­d Leo Bloom, an accountant who discovers the liberating joys of greed and corruption as he and Max Bialystock (Zero Mostel) conceive a Broadway flop titled “Springtime for Hitler” and plan to flee with the money raised for the show’s production.

Matthew Broderick played Mr. Wilder’s role in the 2001 Broadway stage revival of the show.

Though they collaborat­ed on film, Mr. Wilder and Brooks met through the theater. Mr. Wilder was in a play with Brooks’ then-future wife, Anne Bancroft, who introduced the pair backstage in 1963.

Mr. Wilder, a Milwaukee native, was born Jerome Silberman on June 11, 1933. His father was a Russian emigre, his mother was of Polish descent. When he was 6, Mr. Wilder’s mother suffered a heart attack that left her a semi-invalid. He soon began improvisin­g comedy skits to entertain her, the first indication of his future career.

He started taking acting classes at age 12 and continued performing and taking lesson through college. In 1961, Mr. Wilder became a member of Lee Strasberg’s prestigiou­s Actors Studio in Manhattan.

That year, he made both his off-Broadway and Broadway debuts. He won the Clarence Derwent Award, given to promising newcomers, for the Broadway work in Graham Greene’s comedy “The Complaisan­t Lover.”

He used his new name, Gene Wilder, for the offBroadwa­y and Broadway roles. He lifted the first name from the character Eugene Gant in Thomas Wolfe’s “Look Back, Homeward Angel,” while the last name was clipped from playwright Thornton Wilder. A key break came when he co-starred with Bancroft in Bertolt Brecht’s “Mother Courage” and met Brooks, her future husband.

Before starring in “The Producers,” he had a small role as the hostage of gangsters in the 1967 classic “Bonnie and Clyde.” He peaked in the mid-1970s with the twin Brooks hits “Blazing Saddles” and “Young Frankenste­in.”

He went on to write several screenplay­s and direct several films. In 1982, while making the generally forgettabl­e “Hanky-Panky,” he fell in love with co-star Gilda Radner. They were married in 1984 and co-starred in two films Mr. Wilder wrote: “The Woman in Red” and “Haunted Honeymoon.”

After Radner died of ovarian cancer in 1989, Mr. Wilder spent much of his time promoting cancer research. He opened a support center for cancer patients called Gilda’s Place.

Mr. Wilder is survived by his wife, Karen, whom he married in 1991.

 ?? Kim Komenich / The Chronicle 2008 ??
Kim Komenich / The Chronicle 2008
 ?? Twentieth Century Fox 1974 ?? Gene Wilder (second from left) earned laughs for 1974’s “Young Frankenste­in,” directed by Mel Brooks (right) and co-starring Teri Garr (left), Marty Feldman and Peter Boyle as the monster.
Twentieth Century Fox 1974 Gene Wilder (second from left) earned laughs for 1974’s “Young Frankenste­in,” directed by Mel Brooks (right) and co-starring Teri Garr (left), Marty Feldman and Peter Boyle as the monster.

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