San Francisco Chronicle

THE OFFER

FORMER CHURCHES ARE REBORN AS HEAVENLY RESIDENCES THANKS TO A VISIONARY DEVELOPER

- BY LEILANI MARIE LABONG

A developer whose higher calling is to revamp churches

In 2001, Siamak Akhavan spent an hour in the King’s Chamber, located near the zenith of the Great Pyramid of Giza, marveling at its constructi­on. As an engineer, he found the ancient architectu­re, with its precise arrangemen­t of 50- to 80-ton granite blocks, almost unfathomab­le. That night, he couldn’t eat or sleep. “My entire metabolism and energy changed,” says Akhavan. “I felt supercharg­ed.”

One of the best ways to harness the natural power of a planet, he explains, is with a pyramid — the shape is a natural amplifier of electromag­netic waves. But even in the absence of such an architectu­ral wonder, Akhavan claims that the energy of a building — any building — is a very real thing.

We’re experienci­ng this first hand, as we banter about world history and psychic abilities in his 4,500-squarefoot loft under the dome of the former Second Church of the Christ, Scientist overlookin­g Dolores Park.

Akhavan has newly christened the early 20th-century neoclassic­al building, which he purchased in 2011 for $2.3 million (approximat­ely $500 per square foot!), “The Light

House,” because erstwhile sanctuarie­s never really shed their roles in the community as radiant beacons of hope, even if, like this one, they’ve been developed into four condominiu­ms up to 5,400 square feet in size. And also because the city’s historic preservati­on commission required the original brass signage — along with every stained-glass window, water fountain, door hinge and keyhole — to be somehow retained in the new residentia­l design, a painstakin­g negotiatio­n that took nearly two-and-a-half years. As such, the current name of the building is, with some creative finagling, a rearrangin­g of some of the letters of the name that previously graced the front of the building.

“People used to gather here to pray, celebrate, worship and mourn,” says Akhavan, a native of Iran and a political dissident turned seismic engineer turned real estate developer who moved to the Bay Area in 1991. “They left their imprint, just as we will leave ours. Although you can’t see the energy, it’s still around. You can feel it, right?”

It’s profoundly quiet here, due in part to the solid 1917 concrete-and-brick constructi­on. To behold its structural might, we quickly survey one of the century-old retaining walls, absent of cracks and moisture — a befuddling feat of old-timey engineerin­g. To bring the building up to earthquake code, Akhavan orchestrat­ed a seismic retrofit that included, among other major reinforcem­ents, eight new exposed steel frames that lend a timeworn patina to the residences.

The building’s distinctiv­e hush is also owed to the reverence that’s simply part of its fabric. The original design by architect William Crim eschews religious iconograph­y for more inclusive, classical motifs such as floral patterns in the stained glass and exterior Greek columns. The central dome is also a standard fixture for of-the-era Christian Scientist churches, serving as the original building’s main source of natural light. “The only reason I took on this project was to be under this dome,” says Akhavan, who is as thrilled about living under its generous curve as he is about the

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THE LIGHT HOUSE, A LUXURY RESIDENTIA­L DEVELOPMEN­T OVERLOOKIN­G DOLORES PARK, WAS FORMERLY THE SECOND CHURCH OF CHRIST, SCIENTIST; SIAMAK AKHAVAN’S OWN PENTHOUSE RESIDENCE IN THE BUILDING; A SOARING LIVING SPACE IN ONE OF THE...
CLOCKWISE FROM TOP RIGHT: THE LIGHT HOUSE, A LUXURY RESIDENTIA­L DEVELOPMEN­T OVERLOOKIN­G DOLORES PARK, WAS FORMERLY THE SECOND CHURCH OF CHRIST, SCIENTIST; SIAMAK AKHAVAN’S OWN PENTHOUSE RESIDENCE IN THE BUILDING; A SOARING LIVING SPACE IN ONE OF THE...
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