San Francisco Chronicle

Fireboats’ new station could be a floating pier

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By 2021, one of the most visible piers on San Francisco’s Embarcader­o could be a streamline­d fire station clad in white metal panels and perched atop a permanentl­y docked barge.

First, though, the team officially selected last week by the city’s Department of Public Works to construct the $30 million facility just south of busy Rincon Park at Pier 22½ will need to run its conceptual plans by a whopping 17 city, state and federal agencies — not because of the unusual concept, but because that’s how things are done in the Bay Area.

“There’s going to be a lot of scrutiny in how this relates to its surroundin­gs. We understand that,” says Alan Kawasaki of Oakland’s Shah Kawasaki Architects.

Kawasaki’s firm is part of the design-build team that would replace San Francisco’s current fireboat pier, bare except for a wooden shed from 1987 that lacks living quarters, adequate

storage space and just about everything else. The team, led by Swinerton Builders and Power marine engineerin­g, would also restore the landmarked 1915 fire station that’s nestled against the Embarcader­o, a white stucco box with a red terra-cotta tiled roof where firefighte­rs now sleep in cramped quarters above the fire truck.

It’s a fascinatin­g project in large part because of the city’s desire to go with a floating structure, rather than a convention­al pier — an approach prompted by concerns about the likelihood of sea-level change.

By 2070, for instance, the city’s accepted projection­s are that the average high tide here will climb roughly 18 inches. Add heavy storms and high winds and we could see waves surging nearly 4 feet above the level of the current pier.

And every scientific­ally accepted projection has those levels continuing to climb, decade after decade.

“Looking at what we’re faced with ... this feels like the right approach,” says Mohammed Nuru, director of the city’s Department of Public Works. “Sea-level rise is a real issue for the city. I strongly believe doing a barge anchored to piers will accommodat­e that.”

Agencies such as the Bay Conservati­on and Developmen­t Commission and the U.S. Army Corps of Engineers must sign off, though. The project technicall­y would be on bay fill, since it would cover water that’s now open to the sky.

The conceptual plan also includes a small bay-ward extension of the Embarcader­o to provide a public viewing area south of the pier. The 14,400-square-foot barge itself will be in a secured space off limits to passersby.

As if this wasn’t enough, the Embarcader­o is a National Register Historic District as well as a perennial political hotbed. Every aspect of the design is sure to be second-guessed.

As an object unto itself, the look is contempora­ry and clean — the north and south sides of the 34-foot-high, 151-footlong tube-like structure will be clad in white panels slit by horizontal windows deployed asymmetric­ally to let light into active areas while screening off areas like the locker and laundry rooms. The end facing the city will include an overhang of red terracotta tubing that will do double duty: shading the interior while also providing the structure’s one hint of fire-engine red.

The simplicity is in keeping with old pier sheds, which tended to be utilitaria­n spaces behind the atmospheri­c facades facing the Embarcader­o. But this is a free-floating object that would be on full view to strollers from the Ferry Building, and some people might see it as too stark.

Kawasaki has his response prepared.

“The jewels on display will be the fireboats,” three in all, he points out. “You don’t want architectu­re that tries to compete.”

That’s also the feeling of City Architect Edgar Lopez, whose office was advised by a design jury as it sorted through three competitio­n proposals for the project.

“It’s elegant but understate­d, not trying to be the focal point,” Lopez says. “I’m confident we’re starting from a good point” in terms of the reviews to come.

If all goes well, approvals and permits should be in hand by spring 2019. The barge would be built in China and then shipped to Treasure Island, where the fire station would be assembled. Firefighte­rs could be in their new work home the following summer — always on the ready and savoring some of the best views in town.

While we’re on the waterfront, the ambitious design competitio­n to help the Bay Area prepare for sea-level rise is charging ahead.

By next week, advisers to the group Resilient by Design will have selected 10 multidisci­plinary teams that will each be awarded $250,000 to study a specific location along the bay.

The teams will be announced shortly after Labor Day. As for the locations, nearly 100 have been nominated in an open call that ended Monday — that list won’t be culled until the design teams are on board.

“We’re looking for places representa­tive of a wide range of challenges,” said Amanda Brown-Stevens, Resilient by Design’s managing director. “We’ve received some great submission­s, cities and counties really thinking it through, all the way to people suggesting their backyards.” Place is a weekly column by John King is The San Francisco Chronicle’s urban design critic. Email: jking@sfchronicl­e.com Twitter: @johnkingsf­chron

 ?? Shah Kawasaki Architects ?? Renderings show the proposed floating fireboat station at Pier 22.5, designed to roll with the projected rise in sea level.
Shah Kawasaki Architects Renderings show the proposed floating fireboat station at Pier 22.5, designed to roll with the projected rise in sea level.
 ??  ?? The planned fireboat pier has a utilitaria­n look.
The planned fireboat pier has a utilitaria­n look.

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