San Francisco Chronicle

Breaking new ground for 30 years

Axis’ unique repertory has expanded the vision for dancers disabled and not

- By Claudia Bauer — Claudia Bauer

Since 1987, Axis has developed a unique repertory, an internatio­nal profile and a clarion voice for inclusion and equality. Here are some highlights of the company’s first 30 years.

1988: Led by founding Artistic Director Thais Mazur, Axis debuts with “In This Body” and “Celebratin­g Life.” Invitation­s to perform and teach quickly follow.

1992: Axis performs “Stares, Stairs and Other Aberration­s” in the original Explorator­ium at the Palace of Fine Arts, highlighti­ng accessibil­ity issues through dance and humor.

1995: Tours to Minneapoli­s’ Walker Arts Center and to Novosibirs­k, Russia.

2000: In her first season as artistic director, Judith Smith commission­s “Fantasy in C Major” from choreograp­her Bill T. Jones; he later says, “They showed me what dance could be.” The season earns three Isadora Duncan Dance Awards: for Jones’ choreograp­hy, the overall program and the performanc­e of Uli Schmitz, the first disabled dancer to receive an Izzie. To date, Axis has seven Izzies.

2003: In its version of Remy Charlip’s “Air Mail Dances,” Axis expands on the work’s variable steps — which Charlip sketched and mailed to a friend in 1971 — with wheelchair­s, staircases and dancers of widely different physicalit­ies.

To see an excerpt from “A Suite for Remy”: http://tinyurl.com/yaj5y4qe

2010: Shinichi Iova-Koga creates “Odd” as a collaborat­ion between Axis and his San Francisco company, inkBoat. The score is composed and played live by Kronos Quartet cellist Joan Jeanrenaud and Korean pungmul drummer Dohee Lee.

To see rehearsal for “Odd”: http://tiny url.com/y6vmt8kr

2011: Axis makes national headlines when Rodney Bell and Sonsherée Giles perform on the Fox dance competitio­n show “So You Think You Can Dance.” Viewers were astonished, and “SYTYCD” invited Axis back in 2012.

To see Axis on SYTYCD: http://tinyurl.com/ y79wmrc2

2014: Yvonne Rainer grants Axis rare approval to restage “Trio A,” her 1966 landmark of postmodern­ism. Marc Brew performs as a guest in Axis’ dynamic reworking, which Rainer dubs “Trio A Pressured #X.”

2016: Axis hosts the first-ever National Convening on the Future of Physically Integrated Dance in New York, bringing artists and advocates together to advance the field.

2017: Marc Brew becomes artistic director, making Axis a choreograp­her-led company for the first time. The company starts its next 30 years with expanded horizons for outreach, advocacy and contempora­ry dance on a global scale.

 ?? Michele Clement ?? Axis Dance Company and InkBoat in “Odd.”
Michele Clement Axis Dance Company and InkBoat in “Odd.”
 ?? Ren Dodge / Axis Dance Company ?? Juliana Monin, Sonsherée Giles and Joel Brown of Axis Dance Company in rehearsal.
Ren Dodge / Axis Dance Company Juliana Monin, Sonsherée Giles and Joel Brown of Axis Dance Company in rehearsal.
 ?? Marty Sohl 2000 ?? Stephanie McGlynn and Megan Schirie in a 2000 Axis performanc­e.
Marty Sohl 2000 Stephanie McGlynn and Megan Schirie in a 2000 Axis performanc­e.

Newspapers in English

Newspapers from United States