San Francisco Chronicle

A scenic — mostly — treasure that locals tend to overlook

- By Gary Kamiya

The 49 Mile Scenic Drive is one of those local attraction­s to which very few locals are actually attracted.

Its distinctiv­e signs, featuring a chummylook­ing seagull against a blue and white background, are ubiquitous, popping up in places expected (El Camino Del Mar, Twin Peaks, the Marina Green) and unexpected (the industrial stretch of Cesar Chavez Street east of Highway 101, Woodside Avenue next to the old Juvenile Hall, Howard and Sixth streets). But for most people its route — not to mention its entire concept — is a mystery.

The 49 Mile Scenic Drive turns out to be surprising­ly venerable. Although its boosterish, autocentri­c concept screams 1950s, it was actually created in 1938.

A civic group called the Downtown Associatio­n came up with the idea to encourage visitors to the 193940 World’s Fair on justbuilt Treasure Island to explore San Francisco. According to Joseph M. Lubow and Laurel Rosen in “San Francisco’s 49 Mile Scenic Drive,” it is the only mapped drivingtou­r route found in an American city.

The 49 Mile Scenic Drive is still well worth driving. It takes three to four hours, depending on traffic, and actually runs 46 miles. It covers the waterfront for long stretches, hugging as close as possible to the city’s northern and western shore. It runs through iconic neighborho­ods like Chinatown and Nob Hill and includes generous swaths of the Presidio, Golden Gate Park and Twin Peaks, as well as meandering along Roosevelt Way and Dolores Street.

Besides its often spectacula­r views, the most interestin­g thing about the drive is how dramatical­ly stretches of it have changed since 1938 — in ways that would have both enthralled and appalled the Downtown Associatio­n.

In the “appalled” category, one would have to place the drive’s starting and finishing point, City Hall. In 1938 the Civic Center, with its grand collection of public buildings, was eminently respectabl­e, even if its aesthetic whole was less than the sum of its majestic Beaux Arts parts. It began to decline in the late 1970s, and since then the area around City Hall has been plagued by homelessne­ss and drug use.

Indeed, until a new playground was installed in Civic Center Plaza in 2018, the drive went past a notorious lawn where injectiond­rug users tied off and shot up in public, literally under the windows of City Hall — definitely not the kind of scenic attraction the Downtown Associatio­n had in mind.

Another change involved Japantown, which the drive goes through after circling Civic Center. This must have been disconcert­ing for drivers in the route’s early, wartime years, when Japantown ceased to be Japantown after the government rounded up its Japanese American residents and sent them off to prison camps.

North Beach, where the drive goes after leaving Chinatown, also underwent a major transforma­tion. In 1938, North Beach was still an intensely Italian citywithin­acity, whose 60,000 residents often came from and married people from the same small Ligurian and Tuscan towns.

With its macaroni factories, accordion shops and quaint markets filled with salamis and Chianti, the neighborho­od’s main street, upper Grant Avenue, would be a major visitor draw today. But it was far less of one at the time. And the Beats, who turned North Beach into a tourist mecca, didn’t exist yet. Jack Kerouac and Neal Cassady would not make their own 4,900mile scenic drive back and forth across the country until 1949.

Fisherman’s Wharf was more of a tourist destinatio­n than North Beach when the drive opened, but it was still much sleepier than it is now. Today’s wharf, with its motels, fishing boat tours, seafood restaurant­s and kitschy attraction­s, came into existence in the 1950s. In 1938 it was popular with visitors, but primarily it was a working fishing area with a few restaurant­s.

The drive’s long stretch on Sunset Boulevard was also totally different in 1938. That landscaped thoroughfa­re was brand new — you can sense the civic pride the Downtown Associatio­n must have felt at its creation — and it ran through a landscape still dominated by sand dunes and scrub.

One area that would bring an incredulou­s smile to the drive’s creators is Dogpatch. In the 1930s, this flat stretch to the east of Potrero Hill, one of the drive’s more unlikely sections, was a grimy industrial and residentia­l neighborho­od whose residents toiled at places like the Union Iron Works and the American Can Co. As late as the 1980s, no one would have predicted it would become a soughtafte­r neighborho­od filled with highend housing complexes, upscale clothing stores and stylish cafes.

Another section of the drive that has witnessed dramatic improvemen­t was Howard Street. In 1938, Howard around Fourth Street was the South of the Slot neighborho­od and the heart of Skid Row, filled with cheap rooming houses, bars, pawnshops, greasy spoons and liquor stores. Today this area houses the Moscone Center and the fourstar Interconti­nental Hotel.

Just half a mile to the northwest, however, the drive traverses today’s Skid Row, Larkin Street in the Tenderloin. In 1938, the Tenderloin was in decline but was still a respectabl­e neighborho­od, its residentia­l hotels and apartments housing a cross section of workingcla­ss residents, from longshorem­en to bartenders to secretarie­s. There were increasing numbers of downandout people, but little crime or drug use and no homelessne­ss.

However, as Peter Field notes in “The Tenderloin District of San Francisco Through Time,” the seeds of the neighborho­od’s descent had already been planted. Landlords cut back on maintenanc­e of their apartments and hotels during the Depression, a lower class of tenants began to move in, and a downward spiral ensued. While a savvy contempora­ry observer could have predicted some of what happened to the Tenderloin, it’s unlikely anyone could have foreseen the larger socioecono­mic changes — like the deinstitut­ionalizati­on of the mentally ill and the rise of an urban underclass — that drove its decline.

If some sections of the drive can no longer be called scenic, overall it’s remarkable how well this 81yearold route has stood the test of time — a testament to the enduring and evolving charm of San Francisco’s neighborho­ods, but above all to the timeless magic of its terrain. Gary Kamiya is the author of the bestsellin­g book “Cool Gray City of Love: 49 Views of San Francisco,” awarded the Northern California Book Award in creative nonfiction. All the material in Portals of the Past is original for The San Francisco Chronicle. To read earlier Portals of the Past, go to sfchronicl­e.com/portals. For more features from 150 years of The Chronicle’s archives, go to sfchronicl­e.com/vault. Email: metro@ sfchronicl­e.com

 ?? Chronicle file photo ?? The winning design for the 49 Mile Scenic Drive’s signs is displayed around 1938, when the drive made its debut.
Chronicle file photo The winning design for the 49 Mile Scenic Drive’s signs is displayed around 1938, when the drive made its debut.
 ?? Chronicle file map ?? A Chronicle graphic from the late 1930s showed the newly laid out 49 Mile Scenic Drive.
Chronicle file map A Chronicle graphic from the late 1930s showed the newly laid out 49 Mile Scenic Drive.

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