San Francisco Chronicle

Jazz great who guided sons falls victim to coronaviru­s

- By Giovanni Russonello and Michael Levenson Giovanni Russonello and Michael Levenson are New York Times writers.

Ellis Marsalis, a pianist and educator who became the guiding force behind a late20th century resurgence in jazz, while putting four musician sons on a path to prominent careers, died Wednesday. He was 85.

The cause was complicati­ons of COVID19, the disease caused by the coronaviru­s, his son Branford said in a statement, which did not specify where he died.

Marsalis spent decades as a working musician and teacher in New Orleans before his eldest sons, Wynton and Branford, who embodied a freshfaced revival of traditiona­l jazz, gained national fame in the early 1980s.

Marsalis’ star rose along with theirs, and he, too, became a household name.

“Ellis Marsalis was a legend,” Mayor LaToya Cantrell of New Orleans wrote on Twitter on Wednesday night. “He was the prototype of what we mean when we talk about New Orleans jazz.”

That was not always so. Marsalis’ devotion to midcentury bebop and its offshoots had long made him something of an outsider in a city with an abiding loyalty to its early jazz roots. Still, he secured the respect of fellow musicians thanks to his unshakable talents as a pianist and composer, and his supportive but rigorous manner as an educator.

Once they reached the national stage, the Marsalises’ advocacy of straightah­ead jazz made them renegades of a different sort. Wynton, a trumpeter, boldly espoused his father’s devotion to heroes like Charlie Parker and Thelonious Monk, and he issued public broadsides against the slicker jazzrock fusion that had largely displaced acoustic jazz during the late 1960s and ’70s.

Photogenic, erudite and fabulously talented, Marsalis’ children and many other young jazz musicians he had taught — including Terence Blanchard, Donald Harrison Jr., Harry Connick Jr. and Nicholas Payton — became the leaders in a burgeoning traditiona­list movement, loosely referred to as the Young Lions.

“My dad was a giant of a musician and teacher, but an even greater father,” Branford Marsalis said in a statement. “He poured everything he had into making us the best of what we could be.”

In an acknowledg­ment of the patriarch’s influence as well as his own talents, the National Endowment for the Arts in 2011 named Marsalis and his musician sons as NEA Jazz Masters. It is considered the highest honor for an American jazz musician, and until then it had been awarded only on an individual basis.

By that point, the Marsalises were widely understood to be jazz’s royal family. Wynton had become the founding artistic director of Jazz at Lincoln Center, the world’s preeminent nonprofit organizati­on devoted to jazz, and he won the Pulitzer Prize for music in 1997. Branford was a worldrenow­ned saxophonis­t and bandleader with three Grammys to his name. Delfeayo, a trombonist, and Jason, a drummer and vibraphoni­st, were also well establishe­d as bandleader­s.

In addition to those sons, Marsalis is survived by two nonmusicia­n sons, Mboya and Ellis III; a sister, Yvette; and 13 grandchild­ren. Dolores Marsalis, his wife of 58 years, died in 2017.

 ?? Cheryl Gerber / New York Times ?? Ellis Marsalis Jr., patriarch of the Marsalis family of musicians, was a guiding force behind a 20th century resurgence in jazz.
Cheryl Gerber / New York Times Ellis Marsalis Jr., patriarch of the Marsalis family of musicians, was a guiding force behind a 20th century resurgence in jazz.

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