Santa Fe New Mexican

Price of pumping up YouTube views goes far beyond dollars

- JOSHUA LOTT/NEW YORK TIMES By Michael H. Keller

Martin Vassilev makes a good living selling fake views on YouTube videos. Working from home in Ottawa, Ontario, he has sold about 15 million views so far this year, putting him on track to bring in more than $200,000, records show.

Vassilev, 32, does not provide the views himself. His website, 500Views.com, connects customers with services that offer views, likes and dislikes generated by computers, not humans. When a supplier cannot fulfill an order, Vassilev — like a modern switchboar­d operator — quickly connects with another.

“I can deliver an unlimited amount of views to a video,” Vassilev said. “They’ve tried to stop it for so many years, but they can’t stop it. There’s always a way around.”

After Google, more people search on YouTube than on any other site. It is the most popular platform among teenagers, according to a 2018 study by the Pew Research Center, beating out giants like Facebook and Instagram. With billions of views a day, the video site helps spur global cultural sensations, spawn careers, sell brands and promote political agendas.

Just as other social media companies have been plagued by impostor accounts and artificial influence campaigns, YouTube has struggled with fake views for years.

The fake-view ecosystem of which Vassilev is a part can undermine YouTube’s credibilit­y by manipulati­ng the digital currency that signals value to users. While YouTube says fake views represent just a tiny fraction of the total, they still have a significan­t effect by misleading consumers and advertiser­s. Drawing on dozens of interviews, sales records and trial purchases of fraudulent views, the New York Times examined how the marketplac­e worked and tested YouTube’s ability to detect manipulati­on.

Inflating views violates YouTube’s terms of service. But Google searches for buying views turn up hundreds of sites offering “fast” and “easy” ways to increase a video’s count by 500, 5,000 or even 5 million. The sites, offering views for just pennies each, also appear in Google search ads.

To test the sites, a Times reporter ordered thousands of views from nine companies. Nearly all of the purchases, made for videos not associated with the news organizati­on, were fulfilled in about two weeks.

One of the businesses was Devumi.com. According to company records, it collected more than $1.2 million over three years by selling 196 million YouTube views. Nearly all the views remain today. An analysis of those records, from 2014-17, shows that most orders were completed in weeks, though those for a million views or more took longer. Providing large volumes cheaply and quickly is often a sign that a service is not offering real viewership.

Devumi’s customers included an employee of RT, a media organizati­on funded by the Russian government, and an employee of Al Jazeera English, another statebacke­d company. Other buyers were a filmmaker working for Americans for Prosperity, a conservati­ve political advocacy group, and the head of video at the New York Post. (Al Jazeera and the Post said the workers were not authorized to make such purchases and were no longer employed there.)

Multiple musicians bought views to appear more popular: YouTube views factor into metrics from the ratings company Nielsen and song charts including Billboard’s Hot 100.

“This has been a problem we have been working on for many, many years,” said Jennifer Flannery O’Connor, YouTube’s director of product management. The company’s systems continuous­ly monitor a video’s activity, and the anti-fraud team often buys views to understand better how these sites operate, she said. “Our anomaly detection systems are really good.”

Still, the challenges are significan­t. At one point in 2013, YouTube had as much traffic from bots masqueradi­ng as people as it did from real human visitors, according to the company. Some employees feared this would cause the fraud detection system to flip, classifyin­g fake traffic as real and vice versa — a prospect engineers called “the Inversion.”

YouTube would not disclose the number of fake views it blocked each day, but said its teams worked to keep them to less than 1 percent of the total. Still, with the platform registerin­g billions of views a day, tens of millions of fake views could be making it through daily.

It took Vassilev about 18 months to go from being on welfare and living with his father in Canada to buying a white BMW 328i and a house of his own.

By late 2014, his website was on the first page of Google search results for buying YouTube views, fulfilling 150 to 200 orders a day and bringing in more than $30,000 a month, he said. “I really couldn’t believe you could make that much money online,” he said. The Times reporter’s order on his site, for 25,000 views, was fulfilled one day later.

A spokeswoma­n for Google, which is owned by the same company as YouTube, said that sites selling views appeared in search results because they were relevant, but that there was “room for improvemen­t” in warning users.

Vassilev declined to name his clients but said that many orders came from public relations or marketing firms.

Today, he fills most orders through SMMKings.com, a wholesale supplier run by Sean Tamir, 29. Tamir charges him about a dollar for a thousand views, which Vassilev resells for $13.99, throwing in 100 free likes.

Several times a year, YouTube makes changes to its detection system to try to disrupt fake views, Tamir said. A recent episode came in late January, but many of the sites were functionin­g a few weeks later when the Times made most of its purchases. Suppliers say they get around system updates by making their traffic appear more humanlike, ensuring that it comes from users with prior views, for example.

The salesman said it would be simple: Elizabeth Clayton, a retired English and psychology professor, could pay Hancock Press $4,200 to publicize her self-published works of poetry. The company said online promotion, including 40,000 guaranteed YouTube views, would translate into sales, emails show.

Clayton, 77, was optimistic. She had been publishing for seven years but had not sold much. One royalty check came to $1.47, another to $0.75. She signed up for Hancock to promote two videos, costing her $8,400, records show.

Instead of traditiona­l marketing, Hancock paid $270 for 55,000 views from Devumi for each video, the records show. The views eventually reached about 60,000, where they remain. But there was no increase in sales.

“They couldn’t tell me anything about the people that were watching the video,” Clayton said. “I suspected something, but I couldn’t get any informatio­n.”

 ??  ?? Musician Aleem Khalid plays guitar on July 15 at Gravity Studios in Chicago. As a new artist, Khalid hired Crowd Surf, a promotion company, which bought 10,000 views each on three of his videos. ‘The beautiful thing about these social media platforms is when they came out it was genuine. But now I feel it’s all fake,’ he said.
Musician Aleem Khalid plays guitar on July 15 at Gravity Studios in Chicago. As a new artist, Khalid hired Crowd Surf, a promotion company, which bought 10,000 views each on three of his videos. ‘The beautiful thing about these social media platforms is when they came out it was genuine. But now I feel it’s all fake,’ he said.

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