Lady Liberty, in-depth
New museum near statue explores iconic structure’s history
ANEW YORK new museum opening at the Statue of Liberty is giving visitors another opportunity to explore its history and the impact the iconic structure has had on the world.
The 26,000-square-foot museum on Liberty Island, scheduled to open to the public Thursday, is the new home for the statue’s original torch and other artifacts that had previously been in a smaller museum space inside the statue’s pedestal, which is accessible only to the fraction of the more than 4 million annual visitors who manage to get limited-availability statue entry tickets.
“We looked at this small museum and thought, wouldn’t it be wonderful to … move it out to a place where more people could experience it,” said John Piltzecker, National Park Service superintendent of the Statue of Liberty National Monument and Ellis Island.
The new space, located somewhat away from the entrance to the statue, is open to anyone who comes to Liberty Island, with admission included in the price of the ferry ticket. From the outside, the glass walls and copper-colored roof appear to be rising out of the earth, with a giant staircase rising to a rooftop terrace at the center.
The entire structure is meant to connect to Lady Liberty, using the same granite that’s part of the statue pedestal and including copper as a nod to the material the statue is made of, said Cameron Ringness, the project designer at FXCollaborative, which created the museum’s overall design.
“It’s really trying to belong to the site and the landscape and not feel like this building that just got placed here out of nowhere,” Ringness said. “We wanted to enhance the feeling that it’s
really special to be in proximity to the statue.”
Inside, there are three main gallery spaces, starting with a theater where visitors walk through as they watch a film that goes into how the idea for the statue came about, the efforts that went into its making in France and its arrival in the New York harbor, as well as talking about what liberty meant then and what it means in the current day.
The film uses unusual footage taken by drones, including an interior shot rising up through the inside of the statue.
Another gallery goes into the building of the statue, with exhibits meant to show what it would have been like in Frederic-Auguste Bartholdi’s studio, and the models and molds used to make it, as well as a replica of the statue’s foot. Another section shows how iconic the statue has become, not only in American
culture but around the world, with items like a menorah where each candle holder is a small Lady Liberty, as well as comic book covers, decorative plates and dolls.
In the final section, visitors are encouraged to take digital self-portraits and add their thoughts on what liberty means to them, as they look at the original torch and a replica of the statue’s face.
Including that last part was vital, said Edwin Schlossberg, president and principal designer at ESI Design, which created the exhibition spaces.
“This statue was built to congratulate the United States for fighting the Civil War to free the slaves,” he said. “It is based on this idea that liberty was a critical thing that we all had to struggle for, so that idea had to continue as a core value in this experience.”