Santa Fe New Mexican

Woodstock? Try Prairievil­le, La., for this fest

- By Kevin McGill

NEW ORLEANS — August 1969. Thousands of long-haired young people, some nude or nearly so, populate the rural landscape. Janis Joplin, Santana, and the Grateful Dead are among the featured acts, and the air is thick with the sound of rock and the smell of marijuana.

Woodstock?

Nope. Prairievil­le. Prairievil­le, Louisiana. Fifty years ago, in Woodstock’s wake, an estimated 30,000 people jammed into, or camped outside of, a speedway in Prairievil­le, 65 miles west-northwest of New Orleans, for what was dubbed the New Orleans Pop Festival. It was a bayou-country reenactmen­t of sorts.

It was smaller than Woodstock, which had drawn an estimated 400,000 to farmland in New York two weeks earlier. But there was a similar hippie vibe at the Louisiana festival, says John Moore, aka Deacon John, the New Orleans guitar virtuoso and vocalist who is still performing 50 years later.

“We wanted to emulate Woodstock by showing that New Orleans, despite its location in the Deep South, which was, you know, the harbinger of hatred and evil and racism … we wanted to show them that New Orleans could have a festival, too, without any violence,” Moore said in an interview. He was in his New Orleans home, crowded with guitars and other instrument­s, folders crammed with sheet music and memorabili­a including a poster and program from the festival.

Some of the widely famous acts that played Woodstock also played at Prairievil­le, including Creedence Clearwater Revival, Canned Heat, and Country Joe & the Fish, whose “I-Feel-Like-I’m-Fixin’-to-Die-Rag” became an anti-Vietnam war anthem.

Jimi Hendrix was not there to repeat his Woodstock performanc­e. But Deacon John, then 28, was.

He recalls giving the crowd a taste of Hendrix with song selection — “We played ‘Foxy Lady’ ” — and attire. “I had my tiedyed headband on, with my bell-bottom blue jeans and my tie-dyed shirt,” Moore said. Clad in what is now his customary performanc­e garb — jacket, tie, short-brimmed hat — he beamed at the memory of the festival, showing off a poster and program and pictures of himself in the ’60s, sporting an Afro and mutton-chop sideburns.

One archived news account says a dozen people were arrested for sale and possession of marijuana and that doctors reported treating about 30 for bad LSD trips.

Nobody could say that anyone who wound up in jail or ill hadn’t been warned. The program urged abstention from drugs from uncertain sources that might be “improperly manufactur­ed.” And a poster prominentl­y warned of plaincloth­es detectives in the crowd.

Festival promoters explained in the program that they went to great lengths to persuade speedway owners and local authoritie­s to let the festival happen. “Festival staff would like to remind you that there are people outside of this stadium who don’t dig the sounds you’ll hear this weekend, who don’t like our hair, or our clothes, or our ideas, and they are waiting for us to blow our cool,” the program said.

There were similar festivals that weekend in Lewiston, Texas, and Tenino, Wash., and all three went off with no reports of major incidents. Traffic backups were reported near the Prairievil­le site, but an Associated Press story following the festival’s close was largely positive. Among those pleased: “The area merchants … who reaped a harvest from the flower children and were astonished at their unexpected good behavior.”

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 ?? PHOTOS BY GERALD HERBERT/AP ?? FAR LEFT: Deacon John Moore shows a photo of himself performing approximat­ely 50 years ago as he talks in August about the 1969 New Orleans Pop Festival, which happened soon after Woodstock.
LEFT: Moore shows a promotiona­l poster for the New Orleans Pop Festival.
PHOTOS BY GERALD HERBERT/AP FAR LEFT: Deacon John Moore shows a photo of himself performing approximat­ely 50 years ago as he talks in August about the 1969 New Orleans Pop Festival, which happened soon after Woodstock. LEFT: Moore shows a promotiona­l poster for the New Orleans Pop Festival.

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