Santa Fe New Mexican

‘Titanic’ sets sail again on Showtime

- BY JAY BOBBIN

The basic story had been told earlier in other films and television projects, but even though it matches a fictional romance to facts of the ocean disaster, the Oscar-winning 1997 version of “Titanic” is the definitive one for many people.

Being presented by Showtime on Sunday, Jan. 21, writer-director James Cameron’s epic is a beautifull­y structured saga that cleverly takes the audience from contempora­ry times — as a treasure hunter (Bill Paxton) and his colleagues scour the ship’s sunken wreckage — back to its maiden voyage in 1912, when it was launched with much pomp and circumstan­ce.

Various passengers are introduced, including the allegedly “unsinkable” Molly Brown (played here by Kathy Bates), but two key characters are the ones who came to matter most to the vast majority of moviegoers: privileged Rose and stowaway Jack, roles that elevated the highly charismati­c-together Kate Winslet and Leonardo DiCaprio to superstard­om. (Their later reteaming in “Revolution­ary Road” surely was a bid to benefit from their iconic teamwork here, good as they also are in that picture.)

From evading Rose’s spurned and vengeful fiance Cal (Billy Zane) to navigating blocked and/or flooded passageway­s, the couple’s experience aboard the Titanic turns into an endless series of perils ... ultimately enhancing and fusing their affection for each other, to the point where the legendary phrase “I’ll never let go” is much more than mere lip service.

For as personal as the Jack-and-Rose story is, the production that surrounds them is massive and impressive, certainly justifying the 11 Academy Award wins that included best picture and best director (and making for what was one of the highest-rated Oscar telecasts to date, since so many observers were invested in how the movie fared in that ceremony). Cameron united Paramount Pictures and 20th Century Fox together to finance the project, and the result is stunning visually, particular­ly in scenes of the ocean liner in its final throes.

One note about the music, since some viewers are bound to come back to the film for a certain part of it: The hugely popular “Titanic” theme song “My Heart Will Go On,” composed by James Horner and Will Jennings and performed by Celine Dion, plays only over the closing credits.

Over 25 years after its release, “Titanic” remains a singular screen experience, the type that always will have a large and loyal base of devotees. And despite the many TV showings it’s had (and its recent debut in the 4K Ultra HD home-video format), such viewership potential undoubtedl­y gives Showtime confidence in running it again.

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