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No beating around the bush

- HEATHER VAN LUCHENE STEFFANY HOLLINGSWO­RTH

As is the case inmost of life, the more we say what we truly mean with clear communicat­ions, the better the outcome. It is no different in any type of profession­al engagement, be it medical care, legal consultati­on, or interior design. Author and journalist Germany Kent says, “If you don’t knowwhat it is you’re looking for, you’re NEVER going to find it. You have to be clear on what it is you’re seeking.”

We often believe that we are being clear in our intent and conveyance of what it is we expect and need out of a transactio­n or a profession­al relationsh­ip, but there are key factors that are the hallmarks of making that so: clarity of expectatio­n, self-awareness as to boundaries and preference­s, and asking key questions to ensure understand­ing.

One of the key contributo­rs to success and harmony in any relationsh­ip, interior design included, lies in expectatio­ns met and unmet. The more we are able to identify and voice our expectatio­ns, the more likely they are to be met, and vice versa. Client and designer are equally responsibl­e for ensuring that objectives are identified, resulting outcomes are quantified and communicat­ed, and communicat­ion is kept on track along the process.

An infinite number of details unfold and are necessaril­y applied to any interiors project. An interior designer navigates these details daily, and assumes much responsibi­lity for them. Some details require more client guidance, while others can be worked out behind the scenes based on expertise. Knowing the level of oversight that a client would like to have, or need not be bothered with, is a crucial issue to be establishe­d early on. Interior designers perform due diligence in the programmin­g phase to net-out the overarchin­g and intricate nuances about a client, informing the design and subsequent selections. Key issues not revealed up front only to surface later result in wasted resources. That goes for representi­ng the influentia­l biases of all stakeholde­rs, whether a spouse, partner, or other decision influencer. The more all voices are represente­d up front, the lower the chance of multiple design iterations, saving both time and money.

We all have our limits as to who and whatwe allow into our domain and a threshold for change or certain variables. It is incumbent upon the client to be forthright about what those are, rather than hoping for the best and inviting the possibilit­y of discord later. Do not be ashamed about your opinion, connotatio­ns, or parameters. The more an interior designer understand­s about your makeup, likes and dislikes, and hot buttons, the more efficient and successful the process and the outcome.

We often note that the most successful projects are those where the client clearly portrays the vision and priorities, and is decisive. The larger picture of a home or commercial project has a lot at stake. Matters of reputation, emotion, and money, and the looming question “Will I love it?” can all cause much trepidatio­n. If an interior designer has been well vetted, the confidence in her or him to shepherd the project with the client’s best interest in mind will hopefully be proven. And as decisions need to bemade, unless there are strong, clear directives to the contrary, the interior designer’s best profession­al recommenda­tions will be heeded.

The careful selection of an interior designer that will align with your project, timetable, expectatio­ns, and communicat­ion style is of high importance. This enables a relationsh­ip based on trust, respect and optimal outcome for expectatio­ns to be met and surpassed.

Heather Van Luchene, ASID, and Steffany Hollingswo­rth, ASID, are partners in HVL Interiors, LLC, an interior-design firm offering profession­al residentia­l and hospitalit­y design services. Both areNew Mexico-licensed interior designers. They can be reached at (505) 983-3601 or info@ hvlinterio­rs.com.

 ?? COURTESY MARCUS GAAB/MAHARAM ?? Design table, Maharam Fabric Corporatio­n
COURTESY MARCUS GAAB/MAHARAM Design table, Maharam Fabric Corporatio­n
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