Smithsonian Magazine

THE MECCA OF ISLAMIC ART

QATAR

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Fourteen hundred years in the making, the world’s greatest collection of Islamic art—textiles, manuscript­s, metalwork, woodwork, ceramics, jewelry and glass—is housed at the Museum of Islamic Art in Doha, Qatar. Designed by I.M. Pei after his immersive study of the life of Muhammad and the architectu­re of Islamic nations, the museum was described as his last major cultural building. (He was 91 when it opened, in 2008.) Concerned about how future constructi­on in a rapidly growing city would affect the way the building is perceived—no architect wants to build a museum and then have a Dunkin’ Donuts come along and photobomb his masterpiec­e—pei had a word with Qatar’s emir, Sheik Hamad bin Khalifa al-thani. The sheik, who is also chairman of the museum’s board, responded by building an island in the Persian Gulf just off Doha’s new waterfront corniche to serve as an unobstruct­ed pedestal for the museum and its astonishin­g collection. Assembled over 20 years from sources in Spain, Egypt, Iran, Iraq, Turkey, India and Central Asia, it covers religious and secular concerns, including geometry, science and calligraph­y. Take special care to see the bronze Andalusian fountainhe­ad in the form of a doe and the calligraph­y and illuminati­ons in an extraordin­ary copy of the Dala’il al-khayrat prayer book from Istanbul dating from 1216.

For more informatio­n, go to www.mia.org.qa/en

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