Smithsonian Magazine

Quilting in code

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Inspired by antique “freedom quilts,” an artist stitches secret messages into his own textured pieces

ACCORDING TO AFRICAN AMERICAN oral tradition, people escaping slavery via the undergroun­d railroad relied on a code sewn into quilts, which were hung in windows or over clotheslin­es to mark the route to freedom. The legend remains controvers­ial, but when New York-based artist Sanford Biggers stumbled upon it more than a decade ago, he was intrigued by the possibilit­y that the handmade bedding might have carried hidden messages. Since then, he has transforme­d dozens of pre-1900 quilts into mixed-media artworks, over 60 of which are slated to be on view starting this month at the Bronx Museum of Art. “I thought it would be interestin­g to add extra layers of code,” says Biggers, who draws on urban culture, Buddhism and history to construct his own secret iconograph­y. “I’m actually communicat­ing with the original creators of that quilt,” he explains, “so when these are viewed in the future it can be read as a sort of transgener­ational conversati­on.”

 ??  ?? Chorus for Paul Mooney, 2017, made of antique quilt, assorted textiles, acrylic and spray paint. Most of the quilts used in Biggers’ works were donated or came from thrift stores.
Chorus for Paul Mooney, 2017, made of antique quilt, assorted textiles, acrylic and spray paint. Most of the quilts used in Biggers’ works were donated or came from thrift stores.

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