Smithsonian Magazine

Art: Selling space travel

When it came to exploring outer space, Americans had to see it to believe in it

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LONG BEFORE scientists and engineers could send astronauts into space, they had to convince the public—and the officials who would fund these first forays—that such a wild undertakin­g was possible. “You couldn’t just say, ‘We’re going to build rockets,’ and ask people to believe it—you really had to show them how,” says Piers Bizony, a British journalist and author of the lavishly illustrate­d book The Art of NASA, out this month. It reveals how the agency and its contractor­s sold many of their otherworld­ly ideas to a sometimes skeptical nation. From cutaways of lunar modules and landing capsules, to fantastica­l depictions of life on Mars in far-off 2020, these images represente­d NASA’s first steps in the space race and helped build congressio­nal support for ambitious projects like the space shuttle. Today, Bizony believes, they offer not only visions of a glorious American past but also hope for a future that could still be ours. “Getting into space for peaceful purposes—everybody looks up to America for that,” he says. “Speaking as an outsider who loves the USA very much, I think the United States needs to be reminded what it has been capable of.”

 ??  ?? A mid-1970s painting by illustrato­r Rick Guidice depicts
an extraterre­strial colony designed by Princeton University physicist Gerard O’Neill.
A mid-1970s painting by illustrato­r Rick Guidice depicts an extraterre­strial colony designed by Princeton University physicist Gerard O’Neill.

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