Smithsonian Magazine

Glass Acts

PAINTERS HAVE LONG USED MIRRORS TO REFLECT THEIR SUBJECTS’ INNER LIVES. GAZE AT THESE STARTLING EXAMPLES

- By Ted Scheinman

C. 1524: Self-Portrait in a Convex

Mirror. The Italian painter Parmigiani­no worked on a convex wooden panel to create this work, celebrated for its distortion of perspectiv­e.

C. 1555: Venus with a Mirror.

Titian and his apprentice­s produced at least 30 versions of this scene. The mirror highlights the goddess’s epic self-regard.

1646: Self-Portrait. This playful performanc­e by Johannes Gumpp allows a strikingly intimate view of an artist at work—possibly through the use of a second, unseen mirror.

C. 1790: Naniwa Okita Admiring

Herself in a Mirror. In this woodcut by Kitagawa Utamaro, a girl studies herself using a relatively new tool in Japan: a large mirror.

C. 1905: Woman with a Sun

flower. The sunflower was a symbol of suffrage; Mary Cassatt depicts a mother urging her daughter to see herself as powerful.

1960: Triple Self-Portrait. Norman Rockwell borrowed from Gumpp for this witty rendition. The mirror mocks his vanity: Rockwell doesn’t wish to be seen in glasses.

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c. 1555
1555
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c. 1790
c. 1905
1960
c. 1524 c. 1555 1555 1646 c. 1790 c. 1905 1960

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